SELECTED BIBLIOGRAPHY
1998 James, Bruce. Monet Meets UFO, The Galleries, Arts, June 30, p. 13.
Anne O'Hehir, Crossing Boundaries, Muse, March, , p. 22.
Morris Low, Crossing Boundaries, Catalogue.
O'Hehir, Anne. Crossing Boundaries. Muse, P. 22.
Low, Moris, ed. Crossing Boudaries (exh. cat.). Canberra: The Australian National Uneversity, Drill Hall gllery.
Smith, Jackson. Winning Work, 1997 John MacCaughey Memorial Art Prize. Gallery, Feb. Mar. p. 11.
1997 Johnson, Vivien. Michael Jagamara Nelson, MN's friend P. 44, Collaboration with MN, P. 73-75.
Mark Titmarsh, Innenseite At Kassel, Germany, Object, No. 4, p. 16-17.
Genocchio, Benjamin. Face / Off. Sydney Morning Herald, Metro, Aug. 29-Sep. 4, P. 23.
Moore, Catriona. Photos of My Generation. Photofile. Page 11 to 12.
Ingram, Terry. Sideshow eclipses main event. The Australian Financial Review, Saleroom, Thus. July 10, p. 29.
Walker, Clinton. The Hippy Haters. Rolling Stone, March p.59 & 62.
1996 Drury, Nevill & Voigt, Anna. Fire and Shadow, Spirituality in Contemporary Australian Art, p.102-117.
Drury, Nevill & Voigt, Anna. Bringing it all back home. World Art, April, p.38- 43.
Benjamin, Roger. The Johnson Way of Art. Colonial Post Colonial (exh. cat.). Museum of Modern Art At Heide p.42- 43.
Morrell, Timothy. Australia: Familiar and Strange, Contemporary Australian Art. Contemporary Australian Art, Familiar and Strange, Australia (exh. cat.).Soeul Arts Centre, Korea.
1995 Green, Charles. Cultural Mediation and Mimicry. Peripheral Vision, Craftsman House, p.130-132.
Weight, Greg. A Whole Lot of Possibilities. Australian Artist, no. 129,March, p. 26-34.
Benjamin, Roger. Jointly and Severally: The Johnson Way of Art. Antipodean Currents, (exh. cat.), Guggenheim Museum. p. 58-69.
Timms, Peter. Mixing Images to expose truth. Herald Sun, Arts & entertainment, Tues., April 4, p. 55.
Slattery, Luke. Palatable truths in Big Apple. The Australian.
1994 Fenner, Felecity. A Genre Beyond Grunge. The Sydney Morning Herald, Arts, May, 27, P. 19.
Drury, Nevill. Images Two: Contemporary Australian Painting. Sydney: Craftsman House.
Hart, Deborah. Identities: Art from Australia. In Identities: Art from Australia (exh. cat.) Taipei: Taipei Fine Arts Museum, P.19.
Kavanagh, John. Borrowing from Livelier Cultures. Business Review Weekly (Sydney), May 16, pp. 94-95.
Rigney, Virginia. Tim Johnson. In Tim Johnson (exh. cat.). Glasgow: Glasgow Museum, p. 2.
Waterlow, Nick, ed. Twenty-five Years of Performance Art in Australia (exh. cat.). Sydney: Ivan Doughty Gallery, .
1993 Rooney, Robert. A cross the great divide. Weekend Review, Arts / GAlleries, 7-8 Aug. p.13.
Tim Johnson, Across Cultures, (exh. cat.). Mel. The University of Melbourne Museum of Art , Ian Potter Gallery.
Bond, Anthony. Tim Johnson. In Ninth Biennale of Sydney: The Boundary Rider (cat.), Art Gallery of N.S.W. pp. 126-127.
Fenner, Felicity. Boundary ride lost in space. SMH, 9 Jan. P. 37.
Ingram, Terry. Johnson's Buddha Earmarked for New Atlantis. Financial Review (Sydney), May 6, p.34.
1993 Johnson, Tim. Shareware ( exh. cat.) Melbourne: Tolarno Galleries.
Campbell, Kay. Wit's End (exh. cat.) Sydney: Museum of Contemporary Art.
1992 Fanelli, Franco. If art is dead, is the artist a zombie? The Art Newspaper, no. 20, Jul - sep. Exhibition, p.9.
Fenner, Felicity. Documenta Puts Australia on the Map. SMH, Sat. 13 June.
Hoet, Jan,ed. Documenta 9 (exh. cat.). Kassel: Documenta.
Marcon, Morco. Documenta 9: Two Views. Australian Art Monthly (Canberra), no.52 Aug. p.3-4.
Boundary Rider ( exh. cat. ) Sydney: art Gallery of New South Wales, pp. 126-127.
Cramer, Sue. Johnson (exh. cat. ) Sydney: Mori Gallery.
McDonald, John. Documenta Attacks Concepts of Taste. SMH. Sat. August 29.
Findlay, Ian. Journeys of Time and Place. Asian Art News (Hong Kong), May- June , p. 25-29.
Gates, Merryn. Collaborations between Artists(exh.cat.). In Domino I: Collaborations between Artists (exh. cat.), Melbourne: Ian Potter Gallery.
Schubert, Robert. Domino1: Collaborations Between Artists. Agenda, Issue 25, Sep./Oct. p.11.
Lynn, Elwyn. Theme Lost in Loose Display. The Australian (Sydney), Aug. 1, Weekend Review, p.26.
Findlay, Ian. Journeys of Time and Place. Asian Art News, vol.2, No. 3, May/June, p. 25-29.
Johnson, Tim. Future Theory. Kerb Your Dog (Sydney), no. 12 , p.9.
Hill, Peter. Oz and Documenta. The Bulletin. July 14, P. 85.
Broinowski, Alison. The Yellow Lady, Australian Impressions of Asia, p. 156.
1991 Jones, Deborah. Print show gives Art collectors early start. The Australian (Sydney). Fri. 6 Dec.
Fern, Lynette. Certainty Hard Won. SMH, Fri. 27 Sep.
Fern, Lynette. Hundred Flowers Bloom, Hundred Schools of Thought Contend. SMH. Fri. 29 Nov.
Chicago Art Fair (exh. cat.). Sydney: Mori Gallery, .
Phipps, Jennifer. Off the Wall? In the Air: A Seventies Selection (exh. cat.). Melbourne: Monash University Gallery.
Smith, Bernard and Terry Smith. Australian Painting 1788-1990. Melbourne: Oxford University Press.
Zurbrugg, Nicholas. Tim Johnson Interviewed by Nicholas Zurbrugg. Art and Australia (Sydney 29, no, 1 ( spring ), pp. 44-51.
1990 Carroll, Alison. Out of Asia, p. 20-21.
Broadfoot, Keith and Rex Butler. The Fearful Sphere of Australia. In Paraculture (cat.) Sydney: Artspace; New York: Artists Space.
Johnson, Tim. Reincarnation. Kerb Your Dog (Sydney), no. 7, unpaginated.
Ollier, Brigitte. Les Aborigines sans Peinture. Liberation (Paris), Aug. 3, p.24.
Owen, Robert. Inland (exh. cat.). Melbourne: Australian Centre for contemporary Art.
Underhill, Nancy. Acquisitions 1984-1990 (exh. cat.). Brisbane: University Art Museum, University of Queensland.
Butor, Michel. Le Defi Aborigene. Les Evenements de jeudi (Paris), Aug. 9.
L'Ete Australian a Montpelier (exh.cat.). Montpelier: Musee Fabre Galerie Saint Ravy.
Channin, Eileen. Contemporary Australian Painting. Sydney: Craftsman House.
1989 Cramer, Sue, ed. Inhibodress 1970-1972 ( exh. cat. ) Brisbane: Institute of Modern Art.
Coupe, Stuart, ed. Australia's Outback Heritage, vol. 2. Sydney: Weldon Russell, pp. 332-35.
Cramer, Sue, ed. Postmodernism: A Consideration of the Appropriation of Aboriginal Imagery. Brisbane: Institute of Modern Art.
Into the Nineties: Painting. The Bulletin(Sydney), Jan. 31, pp. 139-40.
Green, Charles.The Art of Travel: Recent AustralianPainting. Tension (Melbourne), no. 18 Oct. , pp. 19-20.
1989 Johnson, Tim. Re-Appropriation. In Sue Cramer, ed., Postmodernism: A Consideration of the Appropriation of Aboriginal Imagery. Brisbane: Institute of Modern Art.
Kavanagh, John. The Nurturing of Originality. Business Review Weekly (Sydney), Dec. 1, p. 157.
Lingard, Bob. Appropriation of Aboriginal Art: The Case of Tim Johnson. Tension (Melbourne), no. 17 (Aug. , pp.48-50.
1988 Lingard, Bob. Contemporary Australian Art to China 1988-89, p. 42-46.
Advance Australian Painting. Craccum (Auckland), June 28, p. 10.
Bogle, Andrew, ed. Advance Australian Painting (exh.cat.)Auckland: Auckland City Art Gallery.
Johnson, Tim. Love and the Wind. In Daniel Thomas, ed., Creating Australia: Two Hundred Years of Art 1788-1988 (exh. cat.). Adelaide: Art Gallery of South Australia.
Johnson, Tim. Paying the Rent (Lecture delivered at the Adelaide Festival, 1988). In Jonathon Watkins, ed., Stories of Australian Art (exh. cat.). London: Commonwealth Institute.
McMilan, Richard. The Hypnotist Collector. In Tim Johnson and Vivien Johnson, The Painted Dream (exh. cat.). Auckland: Auckland City art Gallery, pp. 21-30.
Johnson, Tim & Vivien Johnson. The Painted Dream (exh. Cat.). Auskland: Auckland City Art Gallery.
McNamara, Tony. Big Maps of Bright Worlds. The Herald (Auckland), June 20, p.22.
Minemura, Toshaiki. Review of Australia's Bicentennial Arts Program. Culture Forum (Sydney), June pp. 645-55.
Seear, Lynne. Art Seen. Eyeline (Brisbane), no. 6 Sept, p.25.
Petelin, George. Australia: beyond the Mundane. In Contemporary Australian Art to China (exh. cat.). Toowoomba, Queensland: Darling Downs Institute of Advanced Education.
Petherbridge, Deanna. London Galleries: Aboriginals Put in the Picture. The Financial Times (London), May 8, p. 20.
Quartermaine, Peter and Jonathon Watkins. A Pictorial History of Australian Painting. London: Bison Group.
Smith, Terry. "Black Imagery Fades under the Glare of Success". The Australian (Sydney), Dec. 8, p.15.
Sutton, Peter, ed. Dreamings: The Art of aboriginal Australia. New York: Viking, .
Symes, Colin and Bob Lingard. "From the Ethnographic to the Aesthetic".In Paul Foss, ed., Island in the Stream. Sydney: Pluto Press, pp. 211-14.
Thomas, Daniel. Outlines of Australian Art: The Joseph Brown collection. Melbourne: Macmillan.
Topliss, Helen. Covering the Ground (exh. cat.). Adelaide Contemporary Art Centre.
Watson, Bronwyn. Ring-in Possum Still Magic. The Sunday Morning Herald, Dec. 12, p. 18.
Woolcock, Phyllis. Former Compatriots a Western World Apart. The Courier Mail (Brisbane), May 10, p.19.
Lingerd, Bob. Tim Johnson. In Contemporary Australian Art to China (exh.cat.). Toowoomba, Queensland: Darling Downs Institute of Advanced Education.
Johnson, Tim. Statement. in Group Show (exh. Cat.). Sydney: First Draft Gallery, .
Johnson, Tim. Statement. In Andrew Bogle, ed., Advance Australian Painting (exh. cat.). Auskland: Auckland City Art Gallery.
Johnson, Tim. Exhibition Notes (exh. cat.). London: Richard Pommeroy Gallery; Sydney: Mori Gallery.
Hoffert, Bernard, et al. Art in Diversity. Sydney: Longman Cheshire.
Hoffie, Patrick. Considering the Politics of Questioning. Artlink (Adelaide) 8, no. 2 pp. 21-23.
De Lerenzo, Catherine and Dinah Dysart. A Changing Relationship: Aboriginal themes In Australian Art 1938-1988 (exh. cat.). Sydney: S.H.Ervin Gallery.
1987 Lingard, Bob. Tim Johnson Interviewed by Bob Lingard. Eyeline (Brisbane), no. 4 (Aug. ), pp.10- 11.
MacDonald, John. Word over the Image. The Sydney Morning Herald, June 12, p.18.
Petelin, George. Explaining the Dreamtime. The Courier Mail (Brisbane), March 9, p. 8.
Rooney, Robert. Inspired by the Dreaming. The Australian (Sydney), Dec. 12, p. 16.
Sangster, Gary, ed. Sighting References: Ciphers, Systems and Codes in Recent Australian Visual Art (exh. cat.). Sydney: Artspace.
Watson, Bronwyn. Buddhist Images from the Central Desert. The Sydney Morning Herald, Dec. 18, p.16.
Woolcock, Phyllis. After Warhol in Brisbane. The Courier Mail (Brisbane) Feb. 28, p. 8.
Reprinted in Gary Sangster, ed., Sighting References: Ciphers, Systems and Codes in Recent Australian Visual Art (exh. cat.). Sydney" Artspace.
Johnson, Tim. statement. In Papunya Revisited (exh. cat.). Sydney: Mori Gallery.
Annear, Judy. Shadow of Reason ( exh. cat.). Brisbane: Institute of Modern Art.
1986 Borrowing : Tim Johnson Points to Papunya, Hero (Sydney), no.4 (March-April), p. 24.
Burn, Ian. Symbolism and Landscape (exh. cat.). Sydney: Ivan Doughty Gallery.
Cripps, Peter. Intervierws with ...( exh. cat.). Brisbane: Institute of Modern Art, , pp. 18-22.
Follent, Sarah. Critic's Choice. The Weekend Australian (Sydney), May 31, p. 12.
Johnson, Tim. Travel Songs. Tension (Melbourne), no. 9 (May ).
Gantle, Chris. Symbolism and Landscape: Five Satelite Exhibitions. In Sixth Biennale of Sydney: Origins, Originality and Beyond (exh. cat.). Sydney: Biennale of Sydney.
Reprinted in Tim Johnson (exh. cat.). Sydney: Mori Gallery; Melbourne: Tolarno Galleries, p. 32-33.
Johnson, Tim. Theoretical Force. In Sixth Biennale of Sydney: Origins, Originality and Beyond (exh. cat.). Sydney: Biennale of Sydney, , p. 142.
Johnson, Tim. Space. Third Degree (sydney), no. 3, unpaginated.
McAuliffe, Chris. Is 'New Art' Non-art? In Practises of Criticism in Australia, vol. 1. Melbourne: University of Melbourne, p.3.
Woolcock, Phullis. IMA, Johnson, Baillieu and Biennale, The courier Mail (Brisbane), May 30, p.14.
Languish (exh. cat.). Brisbane: Institute of Modern Art.
1985 Maloon, Terence. Review. The Sydney Morning Herald, Nov.12, p.17.
Johnson, Vivien. Two Worlds Collide: Cultural Convergence in Aboriginal and White Australian Art (exh. cat.). Sydney: Artspace.
Maugham, Janet. Dot and Circle (exh. cat.). Melbourne: Royal Melbourne Institute of Technology.
Johnson, Tim. Chance Technology. On the Beach (Sydney), no. 7-8 summer , pp.2-7.
Johnson, Tim. An Impossible Vision. On the Beach (Sydney), no. 9 winter , p.7- 13.
Dolk, Michael. Representing the Studio. In Anthony Bond, ed., Australian Perspecta 1985 (exh. cat.). Sydney: Art Gallery of New South Wales.
1984 Catalano, Gary. The Bandaged Image. Sydney: Hale & Ironmonger.
Davies, Suzanne. The Politics of Picturing (exh. cat.). Hobart: School of Art Gallery, University of Tasmania; Brisbane: Institute of Modern Art.
Davies, Suzanne. Tim's Real Artist Without the Capital A. The Sydney Morning Herald, Sept. 15, p.23.
Johnson, Tim. Koori Art' 84 (exh. cat.). Sydney: Artspace.
Maloon, Ternce. Review. The Sydney Morning Herald, Feb. 25, p.18.
Periz, Ingrid. The Problems of Appropriation: Tim Johnson. Tension (Melbourne), no. 3 Jan. , p.11.
Tayor, Paul, ed. Anything Goes: Art in Australia 1970-1980. Melbourne: Art and Text.
1983 Maloon, Terence. Art from the Desert Waiting for Awakening. The Sydney Morning Herald, Aug. 25, , p. 20.
Murphy, Bernice and Janet Parfenovics. Australian Perspecta 1983(exh. cat.). Sydney: Art Gallery of New South wales.
Young, John, ed. The Life of Energies (exh. cat.). Sydney: Artspace.
Tillers, Imants. Fear of Texture. Art and Text ( Sydney), no. 10 (winter ), p.8-18.
Johnson, Tim. Statement. In John Young, ed., The life of energies (exh. cat.). Sydney: Artspace.
Johnson, Tim. Papunya Tula Art. Kerb Your Dog (Sydney), no. 2, pp. 11-12.
1980 Johnson, Tim. Papunya Tula: Aboriginal Art of the Western Desert (exh. cat.). Sydney: Macquarie University.