Fred Morgan (1940-1999)
— Discography
Compiled by
Rodney Waterman
Revised: November 30, 2004
200
Entries.
The idea
for this list came about when I wrote an obituary for Fred Morgan and surmised that his
recorders ‘feature on hundreds of recordings’. Why not put this assertion to
the test? Well, here it is. Wherever possible I have also noted other
instrument makers. This collaboration may ultimately enrich the overall quality
of information about recordings featuring recorders and certainly stands as a
record of how highly Australian maker Fred Morgan’s instruments are regarded
internationally.
Thanks to
all of you who have contributed to this list over the past four years—Lorenzo Cavasanti, Sabine Haase-Moeck, Marijke Van
Campenhout, Judith Linsenberg, Chris Short, Maurice Steger, Alan Davis,
Nicholas Lander, Frode Thorsen, Sascha Mommertz, Dan Laurin, Barthold
Kuijken, Heinz Ammann, Robyn Mellor, Nick Horn, Thomas Braatz, Lorenzo Lio, Ros
Bandt, Markus Zahnhausen, Jürgen Scheer, Evelyn Nallen, Thiemo Wind, Katja
Beisch, Andrea Guttmann, Owen Watkins, James Harris, Robert Ehrlich, Kees
Boeke, Camilla Soederberg, Jeanette Hajncl, Valeria Bittar, Genevieve Lacey,
Sally Melhuish, Alexandra Reuter, John Terrell, Monica McTaggart, Vicki
Boeckman, Pamela Thorby and Zana Clarke. I wish to especially thank Fred’s wife, Ann.
The
discography is virtually complete for my purposes. Fred’s workshop is still
producing ‘blanks’, that is, recorders turned to Fred’s specifications, but
without block and voicing—they are sent to other makers to complete. Also I am
aware that Mollenhaeur are making a model they call the ‘Morgan’ model. I have
to draw the line somewhere, and I will not include these instruments—only
instruments voiced by Fred.
This list
of 200 recordings tells a great story about the recorder, music and Fred’s
wonderful instruments. There will be without doubt some recordings that I have
missed somewhere in the world, and of course musicians continue to record with
Fred’s instruments. The list may contain some small errors of detail or wrong
assumptions about some instruments used. Please contact me if you have any
amendments to make, no matter how small. One day, when I have lots of time, I
will try and lay out the list more beautifully, logically and in a way that is
easier to navigate.
Note:
·
All entries are CDs unless indicated as an LP
·
All recorders by Fred Morgan (FM) unless otherwise
indicated
·
? A question
mark indicates the highly probable use of Morgan recorder
|
Performers |
Recording Identification
|
Recorders |
|
1. Adelaide Baroque: Tessa Miller, soprano, Lynton Rivers, recorders, Lesley Lewis h/c |
Musica da Camera AB001 (1999) |
Voice flute in d’ after Bressan (boxwood), Alto after Denner in f’ - Jo Saunders, voicing by FM. |
|
2.
Amsterdam Baroque Orchestra (Ton Koopman), Ricardo Kanji,
Reine-Marie Verhagen (recorders) |
J.S. Bach, Brandenburgische Konzert 5-6-2 Erato 2292-45374-2 |
? |
|
3.
Amsterdam Loeki Stardust Quartet |
Baroque Recorder Music (Bach J. S., Sweelinck, Purcell, Boismortier, Locke, Scheidt) L'oiseau-Lyre 421 130-2 |
Alto recorder in f’ after Bressan, Daylesford 1972 [sic – FM didn’t move to Daylesford until 1975] and 1979 |
|
4. Amsterdam Loeki Stardust Quartet |
The Art of Fugue Channel
Classics CCS 12698 |
Soprano
in c´´ after Bressan Fourth flute in b´flat after Bressan, Third flute in a´ after Bressan, Alto in f´ after Bressan, Alto in f´ after Denner Voice flute in d´ after Bressan |
|
5.
Amsterdam Loeki Stardust Quartet & Kees Boeke |
The Image of Melancolly, Anthony Holborne Channel Classics CCS 2891 (1991) |
“Recorded recorders build (sic) by Bob Marvin and Fred Morgan”, including Morgan Ganassi soprano in c’’ for solo Lacrime (Boeke). |
|
6.
Amsterdam Loeki Stardust Quartet, The Academy of Ancient
Music (C.Hogwood) |
Concerti
di flauti (Telemann, Heinichen, Marcello, Schickhardt, Vivaldi) L’Oiseau-Lyre
436 905-2 (1994) |
Alto recorders in f’ after Bressan, 1972 und 1973; alto in f’ after Denner (other recorders by Friedrich von Huene, Martin Skowroneck, Yamaha |
|
7. Anima - Isa Taube (voice), Ivan Vilela (Brazilian ten string guitar), João Carlos Dalgalarrondo (percussion), José Eduardo Gramani (Brazilian fiddles), Luiz Henrique Fiaminghi (Brazilian fiddles), Patricía Gatti (harpsichord), Valeria Bittar (recorders). |
Espiral do tempo (European early music and
popular/orginal Brazilian fusion) |
Recorders: hand fluit by Helge Stiegler (1985) after ‘van Eyck’ type ca. 1647, Ganassi by Abel Vargas, São Paulo Brazil 1993, baroque alto by FM (1980) after Denner ca. 1700. |
|
8. Anima - Isa Taube (voice), Paulo Freire (Brazilian ten string guitar), João Carlos Dalgalarrondo (percussion), Luiz Henrique Fiaminghi (Brazilian fiddles), Patricía Gatti (harpsichord), Valeria Bittar (recorders). |
Especiarias (European early music and
popular/orginal Brazilian fusion) (2000) |
Recorders: hand fluit by Helge Stiegler (1985) in c’’ after ‘van Eyck’ type ca. 1647, Ganassi by Abel Vargas, São Paulo Brazil 1993, baroque alto by FM (1980) after Denner ca. 1700. |
|
9.
Bandt, Ros |
Stargazer MD 3075 |
A440 Alto in f’ (Jo Saunders, voiced by FM) ~1986 [Saunders ‘dolphin’ and Morgan ‘cross’] |
|
10.
Bergen Barokk: |
Sonatas by
Francesco M. Veracini and F. Barsanti Simax Classics PSC 1122 63.40 (1996) |
Treble in f' after Stanesby |
|
11.
Bergen Barokk: |
"The lonely shepherd". Cantatas by Pepusch. Instrumental interludes by Finger, Paisible, Purcell, Blow BIS CD 965 |
Treble in f' after Stanesby and voiceflute in d' after
Bressan/Stanesby. |
|
12.
Boeckman, Vicki — |
“Baroque Trio Sonatas” Paula PACD 64 (1991) |
Alto recorders after Denner by FM (1990) and R.Kanji, Soprano recorders after Ganassi by FM (1991) and R. Kanji, soprano recorders after Terton by G. Klemisch |
|
13.
Boeckman, Vicki (recorders) Finn Hansen (V.d. gamba) Lars
Ulrik Mortensen (Harpsichord) |
Early Italian Baroque (Frescobaldi,
Castello, Fontana, Merula, Cima) Kontrapunkt
32059 |
Ganassi in
c’’(1991), Ganassi in g’ (1988) Other recs: ren-type tenor in C, Adrian Brown
(1989), Terton soprano in c’’ Guido Klemisch (1982) |
|
14.
Boeckman,
Vicki (recorders), Dorte Lester Nauta (recorders), Mads Johansen and Svend
Melbye (traversi), Mogens Rasmussen and Finn Hansen (viola da gambas), Viggo
Mangor (archlute), Allan Rasmussen (harpsichord). |
“Flute Music from the Baroque” Trio sonatas and Quartets by Telemann, Quintett by Loeillet & trio sonata by Quantz. ["Kurt Zieners Minde" (In Memory of Kurt Ziener] Primavera PVCD 9601 (1996) |
Bressan altos in f’ (1995) |
|
15. Boeckman, Vicki (recorders), Dorte Lester Nauta (recorders), Mogens Rasmussen (viola da gamba), Viggo Mangor (archlute and chamber organ) — “Opus 4” |
"Aires
and Duets for 2 Flutes and Bass", Trio
Sonatas from the 17th & 18th centuries by Handel, Telemann, G.B. Braun,
Rossi & Merula for descant and treble recorders and basso continuo Primavera (1998) |
Ganassi alto in
g’ (1988), Denner alto in f’ (1990), Bressan altos in f ‘ (1995) Ganassi
soprano in c’’(1991) |
|
16. Boeckman, Vicki (recorders), Gertie Johnsson (recorders), Pia Brinch Jensen (recorders) — Wood’N’Flutes |
"Journey" (Edel - Kadanza Classics) Seven Centuries of Recorder Music KAD48130-2 (2001) |
Altos in f’
after Bressan (1995, 1996), alto in f ‘ (a440) after Denner (1998), Alto in g’ after
Ganassi (1988), soprano in c’’ after Ganassi (1992). Renaissance basset in F, bass in C, Kontrabass in F by Ture Bergström, Renaissance tenors in C and basset in F by Thomas Prescott, Alto in f’ by Hans Coolsma, Alto in f’ after Denner by David Coomber, keyed tenor in C (a440) by F. Von Huene, Square bass by Herbert Paetzold. |
|
17. Boeckman, Vicki (recorders), John Holloway (violin), Jaap ter Linden (‘cello and viola da gamba), Lars Ulrik Mortensen (harpsichord), Aloysia Assenbaum (organ) |
“G.P.Telemann,
Trio Sonatas with Recorder” (2000) |
Bressan alto in
f ‘ (1995), Denner alto in f’ (1990), Denner alto in f’ by F. von Huene |
|
18. Boeke, Kees (recorder, vielle) |
MONODIA, solo medieval music (Thomas Aquinas,
Heinrich Frauenlob, anonimo italiano, Guillaume de Machault, Gherardello,
Lorenzo Masini) “This disc is dedicated to the memory of Fredrick Morgan” Stradivarius STR 33570 2000 |
Ganassi soprano
in c’’, Ganassi alto in g’, Ganassi ivory alto in g’ (all 1978/79). Actual
sleeve credits: soprano
"Ganassi" in do - Fred Morgan viella tenore -
Fabio Galgani |
|
19.
Boeke, Kees and Walter van Hauwe (recorders) |
Virtuose Kammermusik, Duets for Recorders (Morley, Telemann, van Eyck, Hotteterre) Teldec 6.42522 AP 1980 LP |
Morley: 2 Sopranos (Ganassi?) by FM 1978, Ganassi g’ alto by FM 1979, 2 Tenors in c’ by Friederich von Huene, 1976, Bassetblockflöte, Moeck 1978 Telemann: 2 Sopranos by FM 1979 (A415), 2 Altos after Bressan by Hans Coolsma (A415). Van Eyck: Ganassi g’ alto by FM 1979, soprano in c’ (Ganassi?) by FM 1978, traverso by Friederich von Huene 1975, Tenor in c’ by Friederich von Huene 1976. Hotteterre: 2 Altos in f’ by FM 1976 after Bizey (A392). |
|
20.
Brüggen,
De Vries, Bylsma, Leonhardt (Boston Museum Trio) |
Telemann:
12 Sonate Metodiche SB2K 63182 |
Voice flute in d´ |
|
21.
Brüggen,
Frans |
Corelli Sonaten Op 5 Nos 7-12 “La Follia” RCA RD71055
(CD?) RCA (Seon) RL
30393 (LP) (1980) |
Bressan
alto in f’ Melbourne/Amsterdam 1979 |
|
22.
Brüggen,
Frans |
Telemann, Georg Philipp: 6 Sonate Metodiche GD 71957 |
Voice-flute, Melbourne 1980 |
|
23.
Brüggen,
Frans |
Frans Brüggen
(Bach, Handel, Hotteterre, Mozart) RCA (Seon) RL
30333 (2LPs) |
Alto in f’ (A392) after Bizey (Hotteterre) |
|
24.
Brüggen, Frans |
Frans Brüggen
spielt Vivaldi, Bach, Händel, Hotteterre. RCA (Seon) VL
30384 (1980) LP |
Hotteterre: FM Altos after Bizey A392 Bach Sonata A-dur: Traverssflöte I.Schierer 1773, Bach Brandenburg 4: Altos by Coolsma and von Huene (1968 and 1974), Vivaldi Concerto Nr 1 in F: Alto by Jan Steenbergen (first half 18th Century) |
|
25.
Brüggen, Frans (recorder and tranverse flute) |
Frans Brüggen,
Encore! Zugabe! Bis! (Solos by Bach,
Marchetti, Andriessen, Rebel, van Eyck, anon, Virgiliano, Purcell, Moser,
Boismortier, Heberle, Ortiz) RCA (Red Seal)
RL 30769 (1980/81) LP |
Ganassi in g’
(Virgiliano) — others? |
|
26.
Brüggen, Frans, Kees Boeke, Walter van Hauwe |
French
Recorder Sonatas (Ph. de Lavigne, J. B. de Boismortier, A. Danican Philidor,
L.-A. Dornel, F. Couperin) Frans Brüggen Edition Vol. 7 Teldec 4509-97469-2 |
Alto recorder in f’ after Bizey |
|
27.
Brüggen, Kuijken, Gruskin, Kweksilber |
Hotteterre, Premier Flûtiste Francais SB2K 62942 |
Recorders in f´ after Bizey |
|
28.
Brüggen, Leonhardt, Bylsma |
Bach: Complete Sonatas & Partitas GD 71964 (2) |
Alto f´ after Bizey |
|
29.
Cambridge Musick, The |
Handel: The Recorder, Violin and Viola da gamba Sonatas Globe GLO 6032 |
Alto recorder in F after Bressan |
|
30. Camerata Moderna |
Palimpsest (Frescobaldi, Marais, Ruoff, Rossi, Merula, Rebel, Schmidt-Mechau, De Visée) R&M 2-1023 |
Soprano recorder, Daylesford 1991; alto recorder in g’, Daylesford 1991; alto recorder after Debey, Daylesford 1974; alto recorder after Denner, Daylesford 1990; voice-flute after Bressan, Daylesford 1990 |
|
31.
Camerata
Moderna (Ulrike Volkhardt, recorders) |
Jacquet de la Guerre: Sonatas MDG 605 0807-2 (1998) |
Soprano recorder after Terton (1997),
Alto after Denner/Bressan, (1990), voice-flute after Denner (1990) |
|
32.
CANTICA
SYMPHONIA, Laura Fabris soprano, Giuseppe Maletto - Fabio Furnari tenors,
Marco Scavazza baritone |
GUILLAUME DUFAY (1397 ca. - 1474) Stradivarius STR 33569 (2000) |
Ganassi Alto in
g’ (maple) |
|
33.
Cantigas (Zana Clarke, recorders) |
Courts In Colour Move Records MD 3177 |
Voice Flute in d’ by
FM, ganassi in g’ by M. Grinter |
|
34.
Cantigas, Zana Clarke (recorders) |
Traveller’s Tapestry (1994) |
Voice Flute in d’ by FM, Ganassi in g’ by M. Grinter |
|
35.
Cantigas, Zana Clarke (recorders) |
Silk and Spice MD 3137 |
?Voice Flute by FM (1991), Ganassi g’ alto by M. Grinter (1989) |
|
36. Canzoni Cœlln, Lucia Mense (recorders), Antje Plieg-Oemig (V.da Gamba), Thomas Rudolph (Organ). |
L’Ambitiosa – Virtuose Instrumentalmusik des Italiensichen Fruhbarock. Canzoni Cœlln
RS0702-01 2002 |
Soprano recorder by FM 1996, soprano by Andreas Schob 1993, Tenor by Monika Musch 2001, Tenor by Francesco Li Virghi 2002 |
|
37.
Capella
Corelli — Cynthia O’Brien (bar. violin), Ruth Wilkinson (recorder), Paul Thom
(harpsichord) |
“For ye
lovers and masters of musique” (Handel, Castello, Matteis, Leclair, Corelli,
Blow). LP |
Alto in f’ after
Bressan |
|
38.
Capella Corelli (Ruth Wilkinson, recorder, Cynthia O’Brien,
violin, John O’Donnel, harpsichord) |
Capella
Corelli play Handel and Telemann Move Records MD 3126 (Cassette MC
3126) |
Alto in f’ |
|
39.
Cappella Amsterdam (dir. Jan Boeke), Anneke Boeke (recorder). |
Hodie Christus Natus est -- Christmas music in the Netherlands. ( Jacob van Eyck: Puer nobis nascitur, O salich heyligh Bethlehem, Een kindeken is ons gebooren) Lindenberg Records (earliest release on: Attacca) Rotterdam No. 8 711801
000077 1986 |
Renaissance
alto (Ganassi) in g’ |
|
40.
Cavasanti,
Lorenzo (Recorder), Europa Galante, dir. Fabio Biondi. |
Antonio Vivaldi:
Concerti con Titoli (2000) |
FM 1991, after, T. Stanesby, Luca De Paolis 1999, after P.Bressan. 2000 |
|
41.
Cavasanti,
Lorenzo (Recorder), Europa Galante, Ian Bostridge. |
J.S.Bach: Cantatas & Arias Virgin Veritas 7243 5 45420 2, |
Alto by FM 1991, after T.Stanesby |
|
42.
Cavasanti~Ciomei |
Bach~Suite BWV 997~Triosonate BWV 525-526-529 7234 (?) |
Recorder after T. Stanesby |
|
43.
Clarke, Zana |
Dreams Inside the Air
Tunnel (1998) |
Voice Flute in d’, Ganassi in g’ by M. Grinter (?) |
|
44.
Concentus Musicus Wien (Harnoncourt) |
Brandenburg
Concertos Nos 1-2-4 Teldec 9031-75888-2 (1981/84) |
? |
|
45. Concentus Musicus Wien, (Nikolaus Harnoncourt), Leonhardt-Consort (Gustav Leonhardt). Recorder players listed in column 3] |
Das Kantatenwerk - Sacred Cantatas by Johann Sebastian Bach. Teldec 4509-91755-2 to 4509-91764-2 (encompass volumes 1-10 with 6 CDs in each volume – volumes 6-9 [8 CDs in total] include recorders by Fred Morgan) Recorded 1972-1988. Abbreviations in adjacent listings CMW- Concentus Musicus Wien LC – Leonhardt Consort |
Vol. 6 CD 3: Track 1, 2, 4 BWV 106, LC 1980, after Bizey by FM, Frans Brüggen, Walter van Hauwe. Vol. 7 CD 1: Tracks 1, 4, 5, 7, 9 BWV 119, CMW 1981 FM (1979 & 1980), (also by H.C.Fehr), Elisabeth Harnoncourt, Marie Wolf, Jürg Schaeftlein. CD 2: Track 9 BWV 122, CMW 1982 FM (1979 &1980), (also by H.C.Fehr), Elisabeth Harnoncourt, Marie Wolf, Jürg Schaeftlein. CD 3: Tracks 13, 15, 17, BWV 127, LC 1982, after Bizey by FM (also by H. Coolsma), Kees Boeke, Walter van Hauwe. Vol. 8 CD 4: Tracks 13, 16, 18, BWV 152, CMW 1985, FM 1979, Elisabeth von Magnus-Harnoncourt (Marie Wolf very likely only on CD 4 Track 18 where doubling occurs). CD 6: Tracks 10, 13, 14, 15, BWV 161, CMW 1986, FM 1979 (no other instrument maker indicated here or above in BWV 152, so they must both be playing the Morgan 1979s) Elisabeth von Magnus-Harnoncourt, Marie Wolf. Vol. 9 CD 4: Tracks 6, 7, 12, BWV 175, LC 1988, after Bressan by FM 1986 (also after Stanesby jr. by S. Hirao), Kees Boeke, Walter van Hauwe, Han Tol. CD 6: Tracks 1, 4, 5, BWV 180, LC 1988, after Stanesby Jr. by FM, 1986. and by S. Hirao, and after Bressan by FM, Kees Boeke, Walter van Hauwe, Han Tol, CD 6: Tracks 13, 14, 19, 20, BWV 182, CMW, by FM 1988, Elisabeth von Magnus. |
|
46.
Concertino Armonico, Geoffrey Burgess oboe/recorder, Owen
Watkins oboe/recorder, Peter Watchorn h/c, organ, Claire Garabedian, ‘cello |
Bach/Couperin/Telemann (No cat. no.) |
Altos A415: Bressan by FM (G. Burgess), Stanesby Jr. by F. von Huene (O. Watkins). |
|
47.
Dikmans, Greg (recorders, renaissance flute, traverso), Max
Hynam (lutes) |
The
Delightful Companion: Instrumental Music from the 14th-18th
Centuries. Arika Records AR-001 (1981) LP |
Gannassi
in g’ at a466 and a435 (FM 1980), flute in C (16th cent) a435 by
Robert Bigio (1980), Recorder in f’ after Bressan a415 by FM (1977), Traverso
after Stanesby Jnr a415 by FM (1976), 6 and 7-course lute by Peter Biffin
(1980) |
|
48.
Dikmans,
Greg (renaissance recorders, renaissance flute,), Max Hynam (lutes) |
Dialogo della Musica – Florid Italian Instrumental Music 1506-1630. Arika Records, AR-005 (1982) LP |
Ganassi recorder in g’ (A466, A435, A415), Ganassi recorder in c’’ (A466, A415), flute in C (16th cent) a435 by Robert Bigio (1980), 6 and 7-course lute in G and A by Peter Biffin (1980) |
|
49. Dikmans, Greg and Anne Norman, recorder and shakuhachi |
Breath of Creation, Flutes of Two Worlds Move MD 3163 (1995) |
Ganassi in c’’, alto? |
|
50.
Ehrhardt,
Susanne |
Hexentanz &
Vogelgesang, Blockflötenmusik aus fünf Jahrunderten (Bassano, van Eyck,
Hirose, Heberle, JS Bach) No catalogue
number TT 58:44 |
Alto Bressan by
FM, Soprano Ganassi by Kanji & Sorel, Alto after Rottenburgh by Moeck,
Alto in g’ Ganassi by Bodil Diesen, Bressan Voice Flute by Kanji & Sorel,
soprano by Yamaha. |
|
51.
Ehrhardt,
Susanne (recorders), Jaqueline Ogeil (harpsichord), Margaret Waugh (baroque
‘cello) |
LA FOLLIA,
Vivaldi, Corelli, Scarlatti, Vitali (1998) |
? |
|
52.
Ehrlich, Robert (recorder) with Mitteldeutsche
Barocksolisten, dir. Siegfried
Pank. |
"Viola da
Gamba Concertata": Telemann: Double concerto in a minor; Sinfonia in F
major. Raumklang RK
9806 (1999) |
Bressan Alto in
f’, A415, boxwood, 1990 |
|
53. Ehrlich, Robert (recorders), Mark Levy (viola da gamba), (Richard Egarr harpsichord) |
Corelli,
Sonatas Op. 5 (Nos 3,4,7-12) Globe Records, Castricum, Holland [To be released 2001?] Email: Globe Records |
Voice flute (1988), alto recorder after Bressan (1990), 3rd and 4th flutes. |
|
54.
Ehrlich, Robert and Michael Form (recorders), Berliner
Bach-Akademie |
J S Bach: The Art of Fuge, arranged for 4 Quartets by Heribert Breuer. Arte Nova
Musikproduktion Arte Nova
Classics 74321 74465 2 (2000) |
Denner Alto in f’, A445, maple, 1991 (shortened by FM to German concert pitch!) |
|
55.
Ehrlich, Robert, recorder Mitteldeutsche Barocksolisten |
Telemann: Serenatas "Willkommen, schöner Freudentag", TWV 12:3 (Incl. Arias with recorder obbligato) Ars Musici AM 1221-2 (1998) |
Bressan
Alto in F, A415, maple, 1998 |
|
56. Ehrlich, Robert, recorder, Richard Egarr h/c, Mark Levy, v.d.gamba |
Georg Phillip Telemann-The Original Sonatas Globe GLO5161 |
Alto
in f’ 1996, VF in d’ 1988 (Both after Bressan c.1710) [Sonatine in a (TWV 41:a4) and Sonatine in f (TWV 41:a4) on
maple Bressan, prototype]? |
|
57.
Eichberger, Myriam |
Händel, Telemann, Weiss ambitus 97929 |
Alto recorder after Bizey; voice-flute after Bressan/Stanesby |
|
58.
Ensemble Aspecte |
Matthew
Locke: 7 Suites Pan Classics 510 068 |
Voice flute after Bressan |
|
59. Ensemble Diferencias, Bryony Crawford Conrad Steinmann, Urs Haenggli, Helma Franssen |
A Journey Through Al-Andalus and Hispania (Codex Las Huelgas, Atonio de Cabezon, Crostobal de Morales, etc.) Divox Antiqua, CDX-79809, [LC 1851] 2000 |
Ganassi in g’and Ganassi in c’’ by FM, Renaissance recorders in c”, g’, f’, and C by Bob Marvin. Recorder in g’ after Bassano by Andreas Schwob. |
|
60.
Ensemble Differencias, Conrad Steinman, Elsa Frank, Helma
Franssen, Urs Haenggli recorders |
Canto
Triplex CDX 79610 |
Renaissance
type in c”-flote |
|
61.
Ensemble Douce Memoire, Gerald Stempfel (recorder), Jan
Rokyta (Dulcimer) |