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OZartsreview |
| Australia's online independent specialist music review journal | |
2001 |
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| Lotus Moon- Chinese folk and art songs Caccini, Handel, Mozart, Puccini and Gershwin arias Reviewed by Neville Cohn |
SHU-CHEEN YU (soprano) &
ANTONY WALKER (conductor) |
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For those who attended, and fell under the spell of, The Peony Pavilion at last year's Perth International Arts Festival, a new ABC Classics release on CD could well prove irresistible. Titled Lotus Moon, it's a compilation of Chinese traditional and art songs and operatic selections with heavy emphasis on Puccini. The characteristic timbre one associates
with classical Chinese opera - high pitched with, for want of
better words, a wailing and sometimes nasal quality - is much
in evidence in the folk items sung by Shu-Cheen Yu. For ears,
such as mine, very much geared to sound in the western tradition,
Shu-Chee's voice, with its idiosyncratic timbre and stratospherically
high tessitura, makes for fascinating, almost mesmerising, listening
as she sings the songs of her homeland. The operatic arias are less uniformly satisfying. There is no doubting the seriousness of purpose brought to the performances, all accompanied by Sinfonia Australis conducted by Antony Wallace. At times, one felt the need for rather more opulent vocal tone. But I liked an account of Mozart's "Ach, ich fuhl's" from The Magic Flute, its mood of pathos convincingly evoked. There is some sense of strain in Handel's "Oh! Had I Jubal's Lyre" but in "Signore, ascolta" from Puccini's Turandot, Shu-Chee Yu produces a broad, fuller sound and a sometimes rather tremulous line that sounds entirely appropriate. |
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