|
MARYBOROUGH, Queensland |
|
Site created 8
October 1997/last updated 10 June 2008
© Marcel Safier 2001-2008 |
| Index
of Photographers and Studios listed on this site:
The American
and Australian Photographic Company
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|
|
| Maryborough
was an important Queensland port and the destination for many English and
German emigrant ships during the 1860s and 1870s. The town serviced
a large pastoral and mining district in the 19th century. A large
number of photographers worked in Maryborough during the 19th century with
approximately 25 practitioners of the art having established studios at
various times.
A number of travelling photographers also passed through the town and district. The first of these was William True Bennett, an American who visited Brisbane and Ipswich in 1857 and the Maryborough region in 1858. Bennett produced ambrotypes and tintypes. It does not appear that any of the early photographers in the town ever offered daguerreotypes which seems a privilege shared only by Brisbane, Ipswich, Warwick and the Darling Downs. Four years passed before another photographer advertised his services to the Maryborough public, namely travelling photographer Robert McClelland, who was to return several times. Another Scotsman Thomas Mathewson visited the town during his travels in 1868 and 1872. Lawson Insley (whose origins and fate have proved elusive to a number for researchers) set up a temporary studio during 1862 in a private dwelling for 2½ months. Two years later Ashbury Bright set up the town's second studio in Kent St, but he didn't remain long. Bright sold his negative collection to Christopher Moore who ran a studio from 1868 until his death in 1875. Edward Forster established a branch of the American and Australian Photographic Company in Maryborough in 1872. This company was set up by the gold rich entrepaneur Bernard Holtermann, who had other photographers working in Melbourne, Sydney and the Tamboroora/Hill End gold fields amongst other country towns. Forster eventually set up his own studio but moved his operation to Gympie for a few years. The gold rush there no doubt ensured better business but he returned to Maryborough in 1879. E. B. Cardell, a chemist and photographer from South Australia ran a pharmacy and also worked as a photographer from 1874-75 before moving to Roma where he continued both professions. While Forster was absent from the town from 1876 George McClelland (son of the above Robert McClelland) and John Clowes opened a studio together followed by Bingingee Poochee a parsee Indian from Ipswich in 1878, but each studio only lasted a short time. Various photographers worked in Maryborough for short periods from 1879 until 1884, such as Reckitt and Mills, Metcalfe and Bennett, Charles Bayliss, Poul Poulsen (a branch of his Brisbane operation the American Studio offering tintypes), George Tissington and Peter Mathewson (brother of the above Thomas). W.A. Smith then set up the American Glace Photo Co. for a couple of years before moving to Gympie in 1886 and then Bernard Fritsche opened his San Francisco Studio around that time. By 1888 Forster had closed his studio. Others tried their hand in the town including William McGuire, Maryborough's first female photographer Nora Hele and then Albert Fosbrooke and Frederick Whittaker in 1888. A. E. Urry from the Isle of Wight opened a studio in 1889. The latter three (although Fred took in his brother Charles in partnership) ran the town's main studios during the 1890s although Fosbrooke left for four years and returned in 1895. Short lived studios were opened by Bowers and Earnshaw in 1891, Sydney E. Hill in 1892 and George McClelland (again) in 1896. Poul Poulsen who had a very successful studio in Brisbane with a branch at Gympie set his brother Anders Poulsen up in a Maryborough branch studio in 1897. Poulsen's were renowned for the quality of their work and all their studios produced fine work especially in cabinet photograph portraits. to be continued... |
| EARLY PHOTOGRAPHERS/STUDIOS | |||
| STUDIO/PHOTOGRAPHERS NAME | ADDRESS OF OPERATION | DATES ACTIVE | NOTES incl. types of photographs produced |
| American Photographic Co
(William True Bennett) |
travelling photographer | 1858 | A native of Michigan, USA, Bennett
worked in Brisbane from 1857 with visits to the Darling Downs, Ipswich
and the north for 20 months taking some portraits but mostly landscapes
for the Illustrated London Times and the London International Exhibition.
Made visits to Gayndah, Wide Bay, Port Curtis. First to offer melainotypes
(tintypes) in Queensland. Later formed a partnership with Daniel F. Metcalfe
in 1878 and they had studios in Brisbane and then Maryborough (see below).
ambrotypes |
| Robert McClelland
(1826-1872) |
travelling photographer | 1862, 1869, 1871 | Born 1826 in Kirkinner, Scotland.
Emigrated to Australia c.1852 and worked in Melbourne as photographer.
He later travelled to Armidale in 1859, then on to Tenterfield, Warwick
and Drayton before going to Sydney. He returned to Brisbane in September
1859 and stayed into 1860, then went to Ipswich. Visited Maryborough
and Gayndah in 1862 then set up a studio in Newtown, Sydney from 1862-64.
Travelled throughout Queensland in 1869 then settled in Maryborough in
1871 where he died in 1872. Father of photographer George S. McClelland
who later set up in Maryborough himself (see below).
ambrotypes, cartes de visite |
| Lawson Insley | travelling photographer
set up a temporary studio in Howard's Cottage |
24 July - 7 Oct 1862 | Originally from Sydney where he
took daguerreotypes, Insley later travelled in New South Wales, then into
Queensland. First photographer to open a studio in Maryborough although
only or 2½ months.
ambrotypes |
| Excelsior Photographic Gallery
(Ashbury Bright) |
Kent St | 1864-1868 | Initially a daguerreotypist in Melbourne
from 1858-1859. Travelled to Queensland and opened a studio in Maryborough
1864 that continued until 1868 when Bright sold his negatives to C. H.
Moore (see below)
ambrotypes, cartes de visite |
| Thomas Mathewson | travelling photographer | 1868, 1872 | Mathewson began in photography
in 1864 which he learned from Alfred Hazelton in Ipswich. He travelled
throughout southern Queensland and NSW then remained in Gympie from 1868-1871
before taking to the road again. He eventually formed the partnership
Mathewson and Co with his brother Peter in 1876 and they operated a studio
in Queen St, Brisbane. Peter opened a studio in Maryborough in 1884 (see
below).
cartes de visite |
| C. H. Moore
(Christopher Hume Moore) (-1875) |
Kent St
Richmond St Elliott St Kent St |
1868
1871 1875 1875 |
Moore started in Maryborough having
bought the negatives of Ashbury Bright (see above) then spent periods in
Nashville in 1868, Blackall in 1869 and Gayndah in 1871 and he appears
to have worked mainly as a travelling photographer. His career cut short
by his untimely death in 1875.
cartes de visite |
| E. B. Cardell
(Charles Edward William Boys Cardell) |
Bazaar St | 1874-1875 | Started in Adelaide where he was
known as C. B. Cardell. Worked as both a photographer and chemist training
under W. A. Francis. Later moved to Kapunda S.A. then to Maryborough
in 1874 where he practised photography and worked as a chemist in partnership
with Fermann before moving to Roma, Queensland where he also worked as
both photographer and chemist. For some reason changed his name to
E. B. Cardell. Moved to Cloncurry around 1894.
cartes de visite |
| The American and Australian Photographic Co
(E. H. Forster) |
Adelaide St | 1872 | Forster
ran the Queensland branch of the American & Australian Photographic
Company, but set up his own business in 1874. He moved his operation
to Gympie from 1876-79 and then returned to Maryborough. In the mid
1870s Forster's was the major studio in Maryborough
cartes de visite |
| E. H. Forster
(Edward Hartshorn Forster) |
Kent St
The Panopticon, Adelaide St Kent St Adelaide St Kent St |
1872-1874
1874-1875
|
|
| McClelland & Clowes
(George S. McClelland (1858-) & John Stanfell Clowes) |
Kent St | 1876-1880 | George McClelland was
the son of Robert McClelland (see above). He followed his father into photography,
but he was only 14 when his father died. He returned to Maryborough in
1896 (see below). Clowes moved on to Harrisville in 1878 and Ipswich in
1879 and afterwards did not appear to remain active in photography.
cartes de visite |
| Bingingee Sorabjee Pochee/Poochee | Adelaide St | April 1878-1880 | Poochee, a Parsee Indian started
in photography in Calcutta before emigrating to Australia and settling
in Ipswich where he operated a studio from 1863, with a brief studio operation
in Brisbane in 1864. He travelled to Dalby in 1877 then on to Maryborough
in 1878. Poochee left Maryborough to work in Gayndah for a short
period and eventually he relocated to Townsville in 1880/1881. His studio
was taken over for a short time by Daniel F. Metcalfe and William True
Bennett. Poochee ultimately went to Parramatta where his son Sorabjee opened
his own studio.
cartes de visite |
| Queensland Photo Co. | Richmond St | March-April 1879 | Probably the firm operated by
Albert Reckitt (of the famous Reckitt's Blue making family) and John Henry
Mills who worked in North Queensland from 1881-1899.
cartes de visite |
| American Photographic Co
Bennett & Metcalfe (William True Bennett & Daniel Frederick Metcalfe) |
Kent St
Adelaide St |
April 1880
May 1880 |
Daniel F. Metcalfe was the step-son of Sydney photographer Thomas Skelton Glaister. After working for his step-father travelling through NSW he later opened a studio in Brisbane by himself and then in partnership with with step-brother Thomas Glaister jnr. Following Glaister's death Metcalfe joined with William T. Bennett (see above) and they took over the premises occupied by Poochee. Metcalfe worked in Gympie in 1885 for R. Huggins then later there for himself. He returned to Maryborough in a partnership with Cameron who left shortly after to set up by himself in Bundaberg. Metcalfe worked alone for the last 3 years retiring in 1898. He died in 1902. Bennett opened in Rockhampton in 1886 in partnership with Hugen and joined Hugen again in Rutherglen, Victoria in 1899. |
| Cameron & Metcalfe
(Donald Cameron & Daniel Frederick Metcalfe) |
Bazaar St | 1895 | |
| Daniel F. Metcalfe
(-1902) |
Bazaar St | 1895-1898 | |
| Charles Bayliss | travelling photographer | 1880 | Previously a partner of Beaufroy Merlin in the American & Australian Photographic Company, which dissolved after Merlin's death in 1873. Bayliss was a very successful operator in Sydney afterwards and he took many fine landscape views, which is probably his reason for visiting the Maryborough region. He operated his George St studio in Sydney into the 20th century. |
| American Studio
(Poul C. Poulsen) |
temporary studio | July-Sep 1882 | Poul Poulsen and his younger brothers
ran the Adelaide and Brisbane franchises of Gove and Allen's American Studio,
a chain of tintype facilities. Gove and Allen (and later Allen's wife)
operated such studios in the USA, in collaboration with gem tintype pioneer
Simon Wing. Poul or one of his brothers took "flying branches" of the Brisbane
studio to Maryborough and Rockhampton. Poul Poulsen set up his own general
photograph studio in Newcastle in 1884 and then returned to Brisbane in
1885. A Maryborough branch of this studio operated by his brother Anton
opened in Maryborough in 1897 (see below).
gem tintypes |
| Frsico Photo Co
(George Anthony Tissington) |
Adelaide St | 1882 | Previously worked in various NSW
towns such as Goulburn and Carcoar. Set up in Brisbane in 1877 as
the manager of the Frisco Photo Co and then did the same in Brisbane
St, Ipswich taking over the premises of Poochee in March 1878. J.
H. Lundager operated another branch of the Frisco Photo Co in Rockhampton
and advertised reprints from the negatives of his former partner J. W.
Wilder . Tissington's photograph mounts advertised "Photographs copied
and reduced to fit the smallest locket, or enlarged up to life size." He
eventually moved into Ellenborough St, Ipswich where he employed Francis
Whitehead who took over the studio in 1882/1883. Tissington opened
a studio in Toowoomba in 1880 before moving to Maryborough in 1882.
cartes de visite |
| Peter Mathewson | 1884 | Elder brother of Thomas Mathewson
(see above). Probably learnt photography from Thomas, eventually joining
him in partnership as Mathewson & Co in 1876 with a studio in Queen
St, Brisbane. Was probably well acquainted with Maryborough, where his
wife, Bridget Duggan's family resided. Married in Gayndah 1860. Peter set
up a short lived studio in Maryborough during 1884. He and Thomas
parted ways in 1889 and after running a boot palace selling shoes for a
time Peter opened his own studio in Wickham St, Fortitude Valley c.1894.
cartes de visite, cabinet photos, opalotypes |
|
| American Glace Photo
Co
(William Alexander Smith) |
Adelaide St | 1884-86 | Probably the W. Smith active in Charters
Towers in 1881 and Gympie in 1882-83. One mount bearing the address
18 Brook St, Ipswich may be from his English studio as there is no such
street in the Queensland town of that name. Another photo mount gives his
address as just Queensland, suggesting he worked as a travelling photographer
and it states that Smith was "from England". He returned to Gympie in 1887.
cartes de visite |
| Champion
(Thomas Champion) |
Does not appear to have been active as a photographer
for long. Worked as a grocer in Charters Towers in 1903.
cartes de visite |
||
| Norah Hele | -
Bazaar St |
c.1884
1890-91 |
Not much is yet known of what is probably Maryborough's
first female photographer. Probably the wife of James Andrew Hele.
cabinet photos |
| Miss M. Caldwell | Adelaide St | Oct 1885 | |
| San Francisco Studio
(Bernardt Fritsche) |
Kent St | 1886-91 | Fritsche later worked in Mackay
in 1891 and Charters Towers from 1892-1898. Had a partnership for a time
with Gerstenkorn.
cartes de visite |
| Elite Studio
(William McGuire) |
Mary St | 1886 | Previously from Sydney, McGuire
also had a studio in Gympie and closed his Maryborough studio in May 1886
to work exclusively at the other premises.
cartes de visite |
| Alfred Robert Fosbrooke | Pallas St
Churchill St Bazaar St |
1888-89
1895-96 1897-1912 |
Originally from Sydney, Fosbrooke
moved to Maryborough for a time, then to Bundaberg from 1890-93 and
then Tamworth in 1894 before returning to Maryborough.
cabinet photos |
| Frederick Whittaker | Kent St | 1888-89 | |
| Whittaker Bros
(Charles & Frederick Whittaker) |
Adelaide St | 1892-99 | |
| Arthur Edwin Urry
(c.1865-1928) |
Kent St
Adelaide St |
1889-1893
1893-1897 |
Arrived in Queensland 1885 aboard
the Wahoonga from Hampshire but was a native of the Isle of Wight where
he trained as a photographer. His photograph mount stated "Gold Medal and
Nine First Prizes Exhibition 1889-1890". Urry later worked in Oxley,
Brisbane with Charles Lucock then opened a studio in Townsville in 1900
and in Fortitude Valley with his brother around 1918.
cartes de visite, cabinet photos |
| Bowers & Earnshaw
(William Earnsahw) |
1891 | William Earnshaw is listed as teacher in Maryborough in 1903 so probably only briefly dabbled in professional photography. | |
| Sidney Edward Hill | Bazaar St | 1892 | Started in Eidsvold 1888, then studios
in Maryborough & Barcaldine in 1892 and he opened studios in Cooktown
in 1895, New Guinea in 1897 then Warwick in 1898. S.E. fought in South
Africa during the Boer War but nothing is known of his whereabouts after
his return to Australia.
cabinet photos |
| George S. McClelland | Bazaar St | 1896 | George McClelland was the son of Robert McClelland (see above). He followed his father into photography, but he was only 14 when his father died. McClelland moved to Maryborough in 1876 and operated there alone and in partnership with Clowes from 1876-80 (see above). He subsequently had a studio in Rockhampton and returned to Maryborough in 1896 then moved on in that year to Gympie. |
| Poul C. Poulsen | Adelaide St | 1897 | A branch
studio of Poul Poulsen's Brisbane operation probably run by his brother
Anton who had worked for him in Adelaide in Gove and Allen's American Studio
which produced tintypes and cartes de visite.
cabinet photos |
| Kent St | 1898 | ||
| William Rose | Kent St | 1905 | Was previously in Townsville in 1903. |
| Miss Hunter | Kent St | 1906-1912 | The second female professional photographer
to operate in Maryborough.
postcard photos |
| Olesen & Strong | Kent St | 1911-17 | postcard photos |
| Strong Studios
(Thomas J. Strong) |
1917-22 | postcard photos, mounted enlargements | |
| W. A. Milne
(William Alexander Milne) (1874-1929) |
Bazaar St | 1910-29 | William was
born in Partick, Lanarkshire, Scotland in 1874 and did his apprenticeship
in Glasgow. He operated his own studio there, employing his younger brother
James. The family emigrated Australia, going to Maryborough in 1910 where
William he worked as a photographer until his death in 1929.
postcard photos, mounted enlargements |
| B. A. Austin
(Bernard Harry Austin) (1884-) |
1914-16 | postcard photos | |
| Edward James Rumballe | Kent St | 1923-29 | postcard photos |
| David William Evans | Pialba | 1923-25 | postcard photos |
| Frank Campbell | 397 Kent St | 1940-45 | postcard photos |
| EARLY POST CARD PUBLISHERS | |||
| PUBLISHER/SERIES | DATES PRODUCED | NOTES | |
| Coloured Shell Series | c.1904-1915 | Produced view postcards covering the all major towns of Queensland. They appear to have licensed negatives also used by other publishers. Their range included over 150 different views. At least one of the Maryborough views was taken by A.E. Urry. | |
| Intelligence and Tourism Bureau | 1909 | Series of black and white printed views from throughout
Queensland printed by A.J. Cumming, Govt. Printer many based on the photography
of Queensland government photographer Henry Mobsby.
Titles: Views of Maryborough 1. Mary River, Maryborough. 2. School of Arts. 3. Botanic Gardens |
|
| E.D.
& Co. later EDCO
(Edwards Dunlop & Company) |
c1905-1915 | Published numerous view postcards initially real photographs usually taken by Crown Studios of Sydney later moving into printed postcards. Most cards feature an identifying serial number and they cover both the major and many smaller towns of Queensland. | |
| Geo. Stupart, Maryborough
(George Stupart) (1883-) |
c.1907 | Published a series of printed coloured black and white
Maryborough local views. Ran a drapery business in Maryborough.
Titles: Maryborough, Q. Garden Terrace No. 82383 |
|
| T.
Miller & Co
(Thomas Miller) |
c.1908-1909 | Long established stationer and bookseller in Maryborough
from the 1870s, who took over the business of J. D. Ridley. Published a
series of view postcards covering Maryborough to Townsville. Printed in
Saxony.
Titles: The Hospital (Perfection Series) photo by Fisbrooke (sic) Wesley Church, Maryborough, Queensland (Perfection Series) photo by Fisbrooke (sic) |
|
| A. R. Fosbrooke | c.1909-1910 | Local photographer (see photographer section above) who produced real photograph postcards of Maryborough. Some of his negatives were used by postcard publishers including T. Miller & Co (see above) | |
| Skipper Watson | c.1915-1920 | Titles:
12. Granville Bridge, Maryborough |
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| Notes:
Some of the year ranges stated may not be accurate or complete as the information is limited to what has appeared in trade directories and newspapers and what was written on photos. Trade directory entries took some months to appear in print, and businesses opening after publication date did not appear until the next issue. The above list should be reasonably complete for photographers who established studios in Maryborough but may be deficient in coverage of travelling/itinerant photographers who visited the region as they often left little record of their activities although sometimes they did announce their arrival in a local newspaper. Due to the large number of such requests I am no longer able to date your photos personally. If you are seeking historical photos of Maryborough I would suggest the organisations listed below as my collection consists mainly of portraiture. Anyone with further information about the above photographers or with names of and information about other photographers not listed is welcome to contact me. N.B. ** I am particularly interested in making contact with the descendants and relations of photographers** |
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| Sources:
Private research by site author through contacting the
descendants of photographers. Most of the photographs studied and
used on this site are from my private collection which is predominantly
unidentified portraiture.
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| Thankyou to Jack Mathewson, Nancy Bennett, Harry Poulsen, Ken & Millicent Poulsen, Nancy Edwards, Phillip Rumballe, Sandra Smith, Mark Urry, Murray Wilson, Mark Boge, Alan Davies and Maryborough Historical Society (especially Jean Hunter, Shirley Hewitt and John Hall) | |||
| GUIDE TO PHOTOGRAPH TYPES | |
| Daguerreotype | Invented by Louis Daguerre in 1837 and introduced to the world in 1839 developed in parallel with the calotype, the other tying first form of photograph. The daguerreotype was produced on highly buffed silver coated on to a brass plate and cannot be easily viewed unless turned at the right angle. The image was mounted under a brass mat and glass and placed in a leather bound folding case (imported from the USA, France or England) or sometimes framed. Ninth, sixth, quarter and half plate sizes were the most popular - the former two being those most commonly found. |
| Ambrotype | Underexposed and sometimes bleached photographic negative on glass backed by black paper, dark velvet or black paint directly on the plate to make the negative appear positive. This was then mounted in a brass frame and placed in a papier-mâché or leather bound folding case or sometimes framed. Ninth, sixth and quarter plate sizes were all popular - half and full plate images are sometimes seen. |
| Carte de Visite | Paper photograph from glass plate negative mounted on card board mount 2 1/2" x 4" - popular from 1861-c.1895 |
| Cabinet Photo | Paper photograph from glass plate negative mounted on card board mount 4 1/4" x 6 1/2" - popular from mid 1870s-c.1905 |
| Tintype | Small postage stamp sized photograph on metallic tin usually mounted in carte de visite sized cardboard frame (gem tintype) or unmounted carte de visite sized photo on tin (2½" x 3½"plate) - popular 1879-1885 |
| Opalotype | Photograph on white opaque "milk" or "opal" glass. Commonly 12" x 14" and framed. |
| Postcard Photo | Photograph on paper with printed post card back, so that it could be mailed if desired taking advantage of the penny post. This paper was used by professionals (where it was mainly used for studio portraiture or for views specifically for the postcard market) and by amateurs alike. Size 5" x 3 1/2" |
| Maryborough and district historical organisations/libraries/museums & other links of interest | |
| Maryborough
Wide Bay and Burnett Historical Society Inc
School of Arts Kent St P.O. Box 84 Maryborough QLD 4650 (07) 4122-2376 http://www.asap.unimelb.edu.au/asa/directory/data/241.htm |
Hours & Facilities: Open Wed and Fri 9am-12pm, Thurs 9am-1pm. Reference assistance available in person and by mail. Copying services available for books, journals and original records to A3. Introductory brochure available. |
| Maryborough
and District Family History Society Inc.
164 Richmond St (Cnr. Wharf Street) P.O. Box 408 Maryborough QLD 4650 (07) 4123 1842 After Hours: (07) 4121 4281 or (07) 4123 4034 mdfhs@satcom.net.au http://www.satcom.net.au/mdfhs/index.html |
Research and Library: Upstairs "Maryborough Heritage Centre" cnr Wharf & Richmond Sts, Maryborough. Members & Non members are welcome all opening hours & by appointment. Small research fee for visitors. Hours Tues & Thurs 9.00 - 3.00pm, Wed 9.00-3.00pm, 7.00-9.30pm, Sat 1.00-4.00pm. Journal: 3 per year. Non members may purchase for $12.00 p.a. Written Research: Initial enquiry $10.00 & SAE. Membership: $25.00 single, $30.00 family, $5.00 joining. Meetings: 3rd Sat each month. President: Mrs. Margaret Wroe. Secretary: Mrs. M. Deacon |
| Maryborough
Family Heritage Institute Inc.
164 Richmond St P.O. Box 913 Maryborough QLD 4650 (07) 4123-1620 Fax: (07) 4123-1884 http://www.satcom.net.au/mfhi/ |
Research rooms: Ground Floor "Maryborough Heritage Centre" cnr Wharf & Richmond Sts, Maryborough. Hours: Monday to Friday 9.00 am - 4.00 pm, Thursday Nights 7.00 pm - 9.00 pm Saturday Afternoons 1.00 pm - 4.00 pm. Membership: $25.00 single, $40.00 family. |
| Maryborough Municipal
Library
127-129 Bazaar St Maryborough QLD 4650 (07) 4123-8892 mcclibqld@peg.apc.org |
Reference and information service is provided from the library's own collections and state and national libraries. Holdings includes the complete Maryborough Chronicle newspaper on microfilm and a photographic collection of copies from private collections. On-site assistance is available with library resources. Opening hours: Mon, Wed, Fri 9.30am-4.45pm; Tues 12 noon-4.45pm; Thurs 9.30am-8.00pm; Sat 8.50am-11.40am. |
| Hervey Bay Public Library
62 Main Street Pialba QLD 4655 (07) 4128-4755 |
|
| Childers Pharmaceutical
Museum & Tourist Information Centre
90 Churchill St Childers QLD 4660 (07) 4126-1994 |
|
| Maryborough City Life | This site contains extensive useful information for all things relating to Maryborough old and new including news and information for visitors and residents alike. |
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© Marcel Safier
2001-2008
Photographic historian and collector,
P.O. Box 239, Holland Park QLD 4121, Australia; e-mail:
msafier@ozemail.com.au