Early Photographers of
MARYBOROUGH,  Queensland
Site created 8 October 1997/last updated 10 June 2008
© Marcel Safier 2001-2008
Index of Photographers and Studios listed on this site:

The American and Australian Photographic Company
American Glace Photo Co.
American Photographic Co. 1 , 2
American Studio
B. H. Austin
Charles Bayliss
W. T. Bennett 1 , 2
Miss M. Caldwell
Bowers & Earnshaw
Ashbury Bright
Cameron & Metcalfe
E. B. Cardell
John Stanwell Clowes
Excelsior Photographic Gallery
E. H. Forster
Elite Studio
A. R. Fosbrooke
Bernard Fritsche
Frisco Photo Co.
Sidney E. Hill
Miss Hunter
Lawson Insley
McClelland & Clowes
George S. McClelland  1 , 2
Robert McClelland
William McGuire
Peter Mathewson
Thomas Mathewson
D. F. Metcalfe
W. A. Milne
C. H. Moore
Olesen & Strong
B. S. Poochee
Poul C. Poulsen 1 , 2
Queensland Photo Co.
Reckitt & Mills
E. J. Rumballe
San Francisco Studio
W. A. Smith
Strong Studios
G. A. Tissington
A. E. Urry
Charles Whittaker
Whittaker Bros.


Real photo postcard c. 1910 by A.R. Fosbrooke
Maryborough was an important Queensland port and the destination for many English and German emigrant ships during the 1860s and 1870s.  The town serviced a large pastoral and mining district in the 19th century.  A large number of photographers worked in Maryborough during the 19th century with approximately 25 practitioners of the art having established studios at various times. 

A number of travelling photographers also passed through the town and district.  The first of these was William True Bennett, an American who visited Brisbane and Ipswich in 1857 and the Maryborough region in 1858. Bennett produced ambrotypes and tintypes. It does not appear that any of the early photographers in the town ever offered daguerreotypes which seems a privilege shared only by Brisbane, Ipswich, Warwick and the Darling Downs. 

Four years passed before another photographer advertised his services to the Maryborough public, namely travelling photographer Robert McClelland, who was to return several times. Another Scotsman Thomas Mathewson visited the town during his travels in 1868 and 1872. Lawson Insley (whose origins and fate have proved elusive to a number for researchers) set up a temporary studio during 1862 in a private dwelling for 2½ months. Two years later Ashbury Bright set up the town's second studio in Kent St, but he didn't remain long. Bright sold his negative collection to Christopher Moore who ran a studio from 1868 until his death in 1875.

Edward Forster established a branch of the American and Australian Photographic Company in Maryborough in 1872. This company was set up by the gold rich entrepaneur Bernard Holtermann, who had other photographers working in Melbourne, Sydney and the Tamboroora/Hill End gold fields amongst other country towns. Forster eventually set up his own studio but moved his operation to Gympie for a few years. The gold rush there no doubt ensured better business but he returned to Maryborough in 1879.

E. B. Cardell, a chemist and photographer from South Australia ran a pharmacy and also worked as a photographer from 1874-75 before moving to Roma where he continued both professions. While Forster was absent from the town from 1876 George McClelland (son of the above Robert McClelland) and John Clowes opened a studio together followed by Bingingee Poochee a parsee Indian from Ipswich in 1878, but each studio only lasted a short time.

Various photographers worked in Maryborough for short periods from 1879 until 1884, such as Reckitt and Mills, Metcalfe and Bennett, Charles Bayliss, Poul Poulsen (a branch of his Brisbane operation the American Studio offering tintypes), George Tissington and Peter Mathewson (brother of the above Thomas). W.A. Smith then set up the American Glace Photo Co. for a couple of years before moving to Gympie in 1886 and then Bernard Fritsche opened his San Francisco Studio around that time. By 1888 Forster had closed his studio. Others tried their hand in the town including William McGuire, Maryborough's first female photographer Nora Hele and then Albert Fosbrooke and Frederick Whittaker in 1888. A. E. Urry from the Isle of Wight opened a studio in 1889. The latter three (although Fred took in his brother Charles in partnership) ran the town's main studios during the 1890s although Fosbrooke left for four years and returned in 1895. 

Short lived studios were opened by Bowers and Earnshaw in 1891, Sydney E. Hill in 1892 and George McClelland (again) in 1896. Poul Poulsen who had a very successful studio in Brisbane with a branch at Gympie set his brother Anders Poulsen up in a Maryborough branch studio in 1897. Poulsen's were renowned for the quality of their work and all their studios produced fine work especially in cabinet photograph portraits.

to be continued...


EARLY PHOTOGRAPHERS/STUDIOS
STUDIO/PHOTOGRAPHERS NAME ADDRESS OF OPERATION DATES ACTIVE NOTES incl. types of photographs produced
American Photographic Co
(William True Bennett)
travelling photographer 1858 A native of Michigan, USA, Bennett worked in Brisbane from 1857 with visits to the Darling Downs, Ipswich and the north for 20 months taking some portraits but mostly landscapes for the Illustrated London Times and the London International Exhibition.  Made visits to Gayndah, Wide Bay, Port Curtis. First to offer melainotypes (tintypes) in Queensland. Later formed a partnership with Daniel F. Metcalfe in 1878 and they had studios in Brisbane and then Maryborough (see below).
ambrotypes
Robert McClelland
(1826-1872)
travelling photographer 1862, 1869, 1871 Born 1826 in Kirkinner, Scotland.  Emigrated to Australia c.1852 and worked in Melbourne as photographer.  He later travelled to Armidale in 1859, then on to Tenterfield, Warwick and Drayton before going to Sydney.  He returned to Brisbane in September 1859 and stayed into 1860, then went to Ipswich.  Visited Maryborough and Gayndah in 1862 then set up a studio in Newtown, Sydney from 1862-64.  Travelled throughout Queensland in 1869 then settled in Maryborough in 1871 where he died in 1872.  Father of photographer George S. McClelland who later set up in Maryborough himself (see below).
ambrotypes, cartes de visite
Lawson Insley travelling photographer
set up a temporary studio in Howard's Cottage
24 July - 7 Oct 1862 Originally from Sydney where he took daguerreotypes, Insley later travelled in New South Wales, then into Queensland. First photographer to open a studio in Maryborough although only or 2½ months.
ambrotypes
Excelsior Photographic Gallery
(Ashbury Bright)
Kent St 1864-1868 Initially a daguerreotypist in Melbourne from 1858-1859. Travelled to Queensland and opened a studio in Maryborough 1864 that continued until 1868 when Bright sold his negatives to C. H. Moore (see below)
ambrotypes, cartes de visite
Thomas Mathewson travelling photographer 1868, 1872 Mathewson began in photography in 1864 which he learned from Alfred Hazelton in Ipswich.  He travelled throughout southern Queensland and NSW then remained in Gympie from 1868-1871 before taking to the road again.  He eventually formed the partnership Mathewson and Co with his brother Peter in 1876 and they operated a studio in Queen St, Brisbane. Peter opened a studio in Maryborough in 1884 (see below).
cartes de visite
C. H. Moore
(Christopher Hume Moore)
(-1875)
Kent St
Richmond St
Elliott St
Kent St
1868
1871
1875
1875
Moore started in Maryborough having bought the negatives of Ashbury Bright (see above) then spent periods in Nashville in 1868, Blackall in 1869 and Gayndah in 1871 and he appears to have worked mainly as a travelling photographer. His career cut short by his untimely death in 1875.
cartes de visite
E. B. Cardell
(Charles Edward William Boys Cardell)
Bazaar St 1874-1875 Started in Adelaide where he was known as C. B. Cardell. Worked as both a photographer and chemist training under W. A. Francis.  Later moved  to Kapunda S.A. then to Maryborough in 1874 where he practised photography and worked as a chemist in partnership with Fermann before moving to Roma, Queensland where he also worked as both photographer and chemist.  For some reason changed his name to E. B. Cardell.  Moved to Cloncurry around 1894.
cartes de visite
The American and Australian Photographic Co
(E. H. Forster)
Adelaide St 1872 Forster ran the Queensland branch of the American & Australian Photographic Company, but set up his own business in 1874.  He moved his operation to Gympie from 1876-79 and then returned to Maryborough.  In the mid 1870s Forster's was the major studio in Maryborough
cartes de visite
E. H. Forster
(Edward Hartshorn Forster)
Kent St
The Panopticon, Adelaide St
Kent St
Adelaide St
Kent St
1872-1874

1874-1875
1876
1880-1881
1882-1888

McClelland & Clowes
(George S. McClelland
(1858-) & John Stanfell Clowes)
Kent St 1876-1880 George McClelland was the son of Robert McClelland (see above). He followed his father into photography, but he was only 14 when his father died. He returned to Maryborough in 1896 (see below). Clowes moved on to Harrisville in 1878 and Ipswich in 1879 and afterwards did not appear to remain active in photography.
cartes de visite
Bingingee Sorabjee Pochee/Poochee Adelaide St April 1878-1880 Poochee, a Parsee Indian started in photography in Calcutta before emigrating to Australia and settling in Ipswich where he operated a studio from 1863, with a brief studio operation in Brisbane in 1864.  He travelled to Dalby in 1877 then on to Maryborough in 1878.  Poochee left Maryborough to work in Gayndah for a short period and eventually he relocated to Townsville in 1880/1881. His studio was taken over for a short time by Daniel F. Metcalfe and William True Bennett. Poochee ultimately went to Parramatta where his son Sorabjee opened his own studio.
cartes de visite
Queensland Photo Co. Richmond St March-April 1879 Probably the firm operated by Albert Reckitt (of the famous Reckitt's Blue making family) and John Henry Mills who worked in North Queensland from 1881-1899.
cartes de visite
American Photographic Co
Bennett & Metcalfe
(William True Bennett & 
Daniel Frederick Metcalfe)
Kent St
Adelaide St
April 1880
May 1880
Daniel F. Metcalfe was the step-son of  Sydney photographer Thomas Skelton Glaister.  After working for his step-father travelling through NSW he later opened a studio in Brisbane by himself and then in partnership with with step-brother Thomas Glaister jnr. Following Glaister's death Metcalfe joined with William T. Bennett (see above) and they took over the premises occupied by Poochee. Metcalfe worked in Gympie in 1885 for R. Huggins then later there for himself.  He returned to Maryborough  in a partnership with Cameron who left shortly after to set up by himself in Bundaberg.  Metcalfe worked alone for the last 3 years retiring in 1898. He died in 1902.  Bennett opened in Rockhampton in 1886 in partnership with Hugen and joined Hugen again  in Rutherglen, Victoria in 1899. 
Cameron & Metcalfe
(Donald Cameron &
Daniel Frederick Metcalfe)
Bazaar St 1895
Daniel F. Metcalfe
(-1902)
Bazaar St 1895-1898
Charles Bayliss travelling photographer 1880 Previously a partner of Beaufroy Merlin in the American & Australian Photographic Company, which dissolved after Merlin's death in 1873.  Bayliss was a very successful operator in Sydney afterwards and he took many fine landscape views, which is probably his reason for visiting the Maryborough region. He operated his George St studio in Sydney into the 20th century.
American Studio
(Poul C. Poulsen)
temporary studio July-Sep 1882 Poul Poulsen and his younger brothers ran the Adelaide and Brisbane franchises of Gove and Allen's American Studio, a chain of tintype facilities. Gove and Allen (and later Allen's wife) operated such studios in the USA, in collaboration with gem tintype pioneer Simon Wing. Poul or one of his brothers took "flying branches" of the Brisbane studio to Maryborough and Rockhampton. Poul Poulsen set up his own general photograph studio in Newcastle in 1884 and then returned to Brisbane in 1885. A Maryborough branch of this studio operated by his brother Anton opened in Maryborough in 1897 (see below).
gem tintypes
Frsico Photo Co
(George Anthony Tissington)
Adelaide St 1882 Previously worked in various NSW towns such as Goulburn and Carcoar.  Set up in Brisbane in 1877 as the manager of  the Frisco Photo Co and then did the same in Brisbane St, Ipswich taking over the premises of Poochee in March 1878.  J. H. Lundager operated another branch of the Frisco Photo Co  in Rockhampton and advertised reprints from the negatives of his former partner J. W. Wilder .  Tissington's photograph mounts advertised "Photographs copied and reduced to fit the smallest locket, or enlarged up to life size." He eventually moved into Ellenborough St, Ipswich where he employed Francis Whitehead who took over the studio in 1882/1883.  Tissington opened a studio in Toowoomba in 1880 before moving to Maryborough in 1882. 
cartes de visite
Peter Mathewson   1884 Elder brother of Thomas Mathewson (see above). Probably learnt photography from Thomas, eventually joining him in partnership as Mathewson & Co in 1876 with a studio in Queen St, Brisbane. Was probably well acquainted with Maryborough, where his wife, Bridget Duggan's family resided. Married in Gayndah 1860. Peter set up a short lived studio in Maryborough during 1884.  He and Thomas parted ways in 1889 and after running a boot palace selling shoes for a time Peter opened his own studio in Wickham St, Fortitude Valley c.1894.
cartes de visite, cabinet photos, opalotypes
American Glace Photo Co
(William Alexander Smith)
Adelaide St 1884-86 Probably the W. Smith active in Charters Towers in 1881 and Gympie in 1882-83.  One mount bearing the address 18 Brook St, Ipswich may be from his English studio as there is no such street in the Queensland town of that name. Another photo mount gives his address as just Queensland, suggesting he worked as a travelling photographer and it states that Smith was "from England". He returned to Gympie in 1887.
cartes de visite
Champion
(Thomas Champion)
    Does not appear to have been active as a photographer for long. Worked as a grocer in Charters Towers in 1903.
cartes de visite
Norah Hele -
Bazaar St
c.1884
1890-91
Not much is yet known of what is probably Maryborough's first female photographer. Probably the wife of James Andrew Hele.
cabinet photos
Miss M. Caldwell Adelaide St Oct 1885
San Francisco Studio
(Bernardt Fritsche)
Kent St 1886-91 Fritsche later worked in Mackay in 1891 and Charters Towers from 1892-1898. Had a partnership for a time with Gerstenkorn.
cartes de visite
Elite Studio
(William McGuire)
Mary St 1886 Previously from Sydney, McGuire also had a studio in Gympie and closed his Maryborough studio in May 1886 to work exclusively at the other premises.
cartes de visite
Alfred Robert Fosbrooke Pallas St
Churchill St
Bazaar St
1888-89
1895-96
1897-1912
Originally from Sydney, Fosbrooke moved to Maryborough for a time, then to  Bundaberg from 1890-93 and then Tamworth in 1894 before returning to Maryborough.
cabinet photos
Frederick Whittaker Kent St 1888-89  
Whittaker Bros
(Charles & Frederick Whittaker)
Adelaide St 1892-99
Arthur Edwin Urry
(c.1865-1928)
Kent St
Adelaide St
1889-1893
1893-1897
Arrived in Queensland 1885 aboard the Wahoonga from Hampshire but was a native of the Isle of Wight where he trained as a photographer. His photograph mount stated "Gold Medal and Nine First Prizes Exhibition 1889-1890". Urry later worked  in Oxley, Brisbane with Charles Lucock then opened a studio in Townsville in 1900 and in Fortitude Valley with his brother around 1918.
cartes de visite, cabinet photos
Bowers & Earnshaw
(William Earnsahw)
  1891 William Earnshaw is listed as teacher in Maryborough in 1903 so probably only briefly dabbled in professional photography. 
Sidney Edward Hill Bazaar St 1892 Started in Eidsvold 1888, then studios in Maryborough & Barcaldine in 1892 and he opened studios in Cooktown in 1895, New Guinea in 1897 then Warwick in 1898. S.E. fought in South Africa during the Boer War but nothing is known of his whereabouts after his return to Australia.
cabinet photos
George S. McClelland Bazaar St 1896 George McClelland was the son of Robert McClelland (see above). He followed his father into photography, but he was only 14 when his father died. McClelland moved to Maryborough in 1876 and operated there alone and in partnership with Clowes from 1876-80 (see above). He subsequently had a studio in Rockhampton and returned to Maryborough in 1896 then moved on in that year to Gympie.
Poul C. Poulsen Adelaide St 1897 A branch studio of Poul Poulsen's Brisbane operation probably run by his brother Anton who had worked for him in Adelaide in Gove and Allen's American Studio which produced tintypes and cartes de visite.
cabinet photos
Kent St 1898
William Rose Kent St 1905 Was previously in Townsville in 1903.
Miss Hunter Kent St 1906-1912 The second female professional photographer to operate in Maryborough.
postcard photos
Olesen & Strong Kent St 1911-17 postcard photos
Strong Studios
(Thomas J. Strong)
  1917-22 postcard photos, mounted enlargements
W. A. Milne
(William Alexander Milne)
(1874-1929)
Bazaar St 1910-29 William was born in Partick, Lanarkshire, Scotland in 1874 and did his apprenticeship in Glasgow. He operated his own studio there, employing his younger brother James. The family emigrated Australia, going to Maryborough in 1910 where William he worked as a photographer until his death in 1929.
postcard photos, mounted enlargements
B. A. Austin
(Bernard Harry Austin)
(1884-)
  1914-16 postcard photos
Edward James Rumballe Kent St  1923-29 postcard photos
David William Evans Pialba 1923-25 postcard photos
Frank Campbell 397 Kent St 1940-45 postcard photos
EARLY POST CARD PUBLISHERS
PUBLISHER/SERIES DATES PRODUCED NOTES
Coloured Shell Series c.1904-1915 Produced view postcards covering the all major towns of Queensland.  They appear to have licensed negatives also used by other publishers.  Their range included over 150 different views.  At least one of the Maryborough views was taken by A.E. Urry. 
Intelligence and Tourism Bureau 1909 Series of black and white printed views from throughout Queensland printed by A.J. Cumming, Govt. Printer many based on the photography of Queensland government photographer Henry Mobsby.
Titles:
Views of Maryborough 1. Mary River, Maryborough. 2. School of Arts. 3. Botanic Gardens
E.D. & Co. later EDCO
(Edwards Dunlop & Company)
c1905-1915 Published numerous view postcards initially real photographs usually taken by Crown Studios of Sydney later moving into printed postcards.  Most cards feature an identifying serial number and they cover both the major and many smaller towns of Queensland.
Geo. Stupart, Maryborough
(George Stupart)
(1883-)
c.1907 Published a series of printed coloured black and white Maryborough local views. Ran a drapery business in Maryborough.
Titles:
Maryborough, Q. Garden Terrace No. 82383
T. Miller & Co
(Thomas Miller)
c.1908-1909 Long established stationer and bookseller in Maryborough from the 1870s, who took over the business of J. D. Ridley. Published a series of view postcards covering Maryborough to Townsville. Printed in Saxony.
Titles:
The Hospital (Perfection Series) photo by Fisbrooke (sic)
Wesley Church, Maryborough, Queensland (Perfection Series) photo by Fisbrooke (sic)
A. R. Fosbrooke c.1909-1910 Local photographer (see photographer section above) who produced real photograph postcards of Maryborough. Some of his negatives were used by postcard publishers including T. Miller & Co (see above)
Skipper Watson c.1915-1920 Titles:
12. Granville Bridge, Maryborough
Click on the hyperlinked photographer or postcard publisher names to see more information and/or examples of their output
Notes:

Some of the year ranges stated may not be accurate or  complete as the information is limited to what has appeared in trade directories and newspapers and what was written on photos. Trade directory entries took some months to appear in print, and businesses opening after publication date did not appear until the next issue. The above list should be reasonably complete for photographers who established studios in Maryborough but may be deficient in coverage of travelling/itinerant  photographers who visited the region as they often left little record of their activities although sometimes they did announce their arrival in a local newspaper.

Due to the large number of such requests I am no longer able to date your photos personally. If you are seeking historical photos of Maryborough I would suggest the organisations listed below as my collection consists mainly of portraiture.

Anyone with further information about the above photographers or with names of and information about other photographers not listed is welcome to contact me.  N.B. ** I am particularly interested in making contact with the descendants and relations of photographers**

Sources:

Private research by site author through contacting the descendants of  photographers. Most of the photographs studied and used on this site are from my private collection which is predominantly unidentified portraiture.
various Queensland Post Office Directories
Pugh's Almanac
Queensland At Home, Brisbane 1905
Maryborough Almanac and Wide Bay and Burnett Business Directory, W. S. Roberts, Maryborough, 1874 and 1875 editions
Maryborough Chronicle and Wide Bay & Burnett Advertiser (commenced 1 Nov 1860 - published Tuesday, Thursday, Saturday)
Wide Bay & Burnett News (commenced 2 Jun 1870 - published Wednesday & Saturday)
Moreton Bay Courier
Alan Davies and Peter Stanbury, "The Mechanical Eye in Australia", OUP, Sydney, 1988.
Sandy Barrie, "Professional Photographers in Queensland 1849-1920", Brisbane, 1988.
Sandy Barrie, ""Queenslanders Behind The Camera", Brisbane, 1988.
Sandy Barrie, "Australians Behind the Camera, Directory of Early Australian Photographers 1841-1945", Sandie Barrie, Booval, Queensland, 2002.

Thankyou to Jack Mathewson, Nancy Bennett, Harry Poulsen, Ken & Millicent Poulsen, Nancy Edwards, Phillip Rumballe, Sandra Smith, Mark Urry, Murray Wilson, Mark Boge, Alan Davies and Maryborough Historical Society (especially Jean Hunter, Shirley Hewitt and John Hall)

GUIDE TO PHOTOGRAPH TYPES
Daguerreotype Invented by Louis Daguerre in 1837 and introduced to the world in 1839 developed in parallel with the calotype, the other tying first form of photograph. The daguerreotype was produced on highly buffed silver coated on to a brass plate and cannot be easily viewed unless turned at the right angle. The image was mounted under a brass mat and glass and placed in a leather bound folding case (imported from the USA, France or England) or sometimes framed. Ninth, sixth, quarter and half plate sizes were the most popular - the former two being those most commonly found.
Ambrotype Underexposed and sometimes bleached photographic negative on glass backed by black paper, dark velvet or black paint directly on the plate to make the negative appear positive.  This was then mounted in a brass frame and placed in a papier-mâché or leather bound folding case or sometimes framed. Ninth, sixth and quarter plate sizes were all popular - half and full plate images are sometimes seen.
Carte de Visite Paper photograph from glass plate negative mounted on card board mount 2 1/2" x 4" - popular from 1861-c.1895
Cabinet Photo Paper photograph from glass plate negative mounted on card board mount 4 1/4" x 6 1/2" - popular from mid 1870s-c.1905
Tintype Small postage stamp sized photograph on metallic tin usually mounted in carte de visite sized cardboard frame (gem tintype) or unmounted carte de visite sized photo on tin (2½" x 3½"plate) - popular 1879-1885
Opalotype Photograph on white opaque "milk" or "opal" glass.  Commonly 12" x 14" and framed.
Postcard Photo Photograph on paper with printed post card back, so that it could be mailed if desired taking advantage of the penny post.  This paper was used by professionals (where it was mainly used for studio portraiture or for views specifically for the postcard market) and by amateurs alike.  Size 5" x 3 1/2"

Maryborough and district historical organisations/libraries/museums & other links of interest
Maryborough Wide Bay and Burnett Historical Society Inc
School of Arts
Kent St
P.O. Box 84
Maryborough QLD 4650
(07) 4122-2376
http://www.asap.unimelb.edu.au/asa/directory/data/241.htm
Hours & Facilities: Open Wed and Fri 9am-12pm, Thurs 9am-1pm. Reference assistance available in person and by mail. Copying services available for books, journals and original records to A3. Introductory brochure available.
Maryborough and District Family History Society Inc.
164 Richmond St (Cnr. Wharf Street)
P.O. Box 408
Maryborough QLD 4650
(07) 4123 1842
After Hours:  (07) 4121 4281  or  (07) 4123 4034 
mdfhs@satcom.net.au
http://www.satcom.net.au/mdfhs/index.html
Research and Library: Upstairs "Maryborough Heritage Centre" cnr Wharf & Richmond Sts, Maryborough.  Members & Non members are welcome all opening hours & by appointment.  Small research fee for visitors.  Hours Tues & Thurs 9.00 - 3.00pm, Wed 9.00-3.00pm, 7.00-9.30pm, Sat 1.00-4.00pm. Journal: 3 per year.  Non members may purchase for $12.00 p.a.  Written Research: Initial enquiry $10.00 & SAE.  Membership: $25.00 single, $30.00 family, $5.00 joining. Meetings: 3rd Sat each month. President:  Mrs. Margaret Wroe.  Secretary: Mrs. M. Deacon
Maryborough Family Heritage Institute Inc.
164 Richmond St
P.O. Box 913
Maryborough QLD 4650
(07) 4123-1620
Fax: (07) 4123-1884
http://www.satcom.net.au/mfhi/
Research rooms: Ground Floor "Maryborough Heritage Centre" cnr Wharf & Richmond Sts, Maryborough. Hours: Monday to Friday 9.00 am - 4.00 pm, Thursday Nights 7.00 pm - 9.00 pm Saturday Afternoons  1.00 pm - 4.00 pm. Membership: $25.00 single, $40.00 family. 
Maryborough Municipal Library
127-129 Bazaar St
Maryborough QLD 4650
(07) 4123-8892
mcclibqld@peg.apc.org
Reference and information service is provided  from the library's own collections and state and national libraries.  Holdings includes the complete Maryborough Chronicle newspaper on microfilm and a photographic collection of copies from private collections. On-site assistance is available with library resources. Opening hours: Mon, Wed, Fri 9.30am-4.45pm; Tues 12 noon-4.45pm; Thurs 9.30am-8.00pm; Sat 8.50am-11.40am.
Hervey Bay Public Library
62 Main Street
Pialba QLD 4655
(07) 4128-4755
 
Childers Pharmaceutical Museum & Tourist Information Centre
90 Churchill St
Childers QLD 4660
(07) 4126-1994
 
Maryborough City Life This site contains extensive useful information for all things relating to Maryborough old and new including news and information for visitors and residents alike.

I am always after photographs for my reference collection and I will purchase any old photographs, postcards and albums (not just from Queensland but anywhere in Australia) and also early wood and brass camera equipment and glass plate negatives. 
Return to the Photographers of Southern Queensland Main Page

Return to the Maryborough City Life  - Front Page


© Marcel Safier 2001-2008
Photographic historian and collector,
P.O. Box 239, Holland Park QLD 4121, Australia; e-mail: msafier@ozemail.com.au