The EARLY  PHOTOGRAPHERS of
GYMPIE,  Queensland
This site was created 15 August 1999 and was last updated 10 September 2006
© Marcel Safier 2001-2006
Index of Photographers and Studios listed on this site:
Acme Studio
Adair & Co

Henry Anson

Aspinall

A. Bell

Bell Studios

Agrippa Bevan

Thomas Bevan

Bond Studio

Hugo Durietz

James W. Fegan

Edward H. Forster

Francis

Gympie Portrait Rooms

Lawson Insley

Nelson

IXL Studio

Thomas Mathewson

Jack Monks

Fred Murray
 
Murray Studios

Poul Poulsen

G. E. Richards
 
Tosca

Arthur Lamb Walker

Joey Way
 

 
A History of Photography in Gympie

still under construction...


EARLY PHOTOGRAPHERS/STUDIOS
STUDIO/PHOTOGRAPHERS NAME ADDRESS OF OPERATION DATES ACTIVE NOTES incl. types of photographs produced
Lawson Insley travelling photographer  1860 Originally from Sydney where he took daguerreotypes, later travelled in New South Wales, then Queensland. Operated in Brisbane, Ipswich and then moved north.
ambrotypes
Thomas Mathewson travelling photographer 1868 Later worked with his brother Peter in the long running firm of Mathewson & Co in Queen St, Brisbane. Peter's sons also ran studios in Charter's Towers and Mackay. A great dynasty of Queensland photographers.
cartes de visite
Henry Anson   1868 Anson of the photographic firm Anson and Francis travelled up from Adelaide in search of gold, initially finding employment with Muller (q.v.), then set about photographing the Gympie goldfields and town but eventually returned to his wife and family in Adelaide and resumed photography there in partnership with Francis.
cartes de visite
Thomas Bevan Mary St 1870-1894 Previously worked in Adelaide, Melbourne and Brisbane. Bevan's studio was the longest running in Gympie in the 19th century and passed to his son Agrippa (see below)
cartes de visite, cabinet photos
Edward H. Forster   1876-1879 Previously in Maryborough where he operated a branch of the American & Australian Photo Co. Forster returning to Maryborough after his tenure in Gympie
certes de visite
Hugo Durietz Mary St 1879-1882 Swedish photographer who also worked as a draftsman and in the dairy industry in Gympie.
cartes de visite
G. E. Richards
(Gympie Portrait Rooms, IXL Studio)
Mary St 1884-1893 After Bevan, Richards was one of the longer serving Gympie photographers of the 19th century.
cartes de visite, cabinet photos
Agrippa Bevan Young St
Mary St
1889
1896-1912
Son of the above Thomas Bevan
cartes de visite, cabinet photos
Joey Way Mary St 1892-1893
1898
 
Adair & Co Mary St 1895-1896 cabinet photos
Aspinall    
Francis      
Poul Poulsen Kent St 1890s A branch studio set up by Poul Poulsen of Queen St , Brisbane and run by his brother Anders.  This studio employed the Poulsen's cousin Ethel Hill who married photographer Arthur Walker who also worked in the studio.  Fred Murray (see below) was employed in this studio at one time and is believed to have purchased Poulsen's negatives, some of which he later published as postcards.
cabinet photos
Acme Studio   1896  
Tosca Mary St 1897-1911 A branch of the Tosca studio operation that included studios in Brisbane, Charters Towers, Rockhampton, Townsville and Sydney.
cabinet photos
Bond Studio   190? cabinet photos
Arthur Lamb Walker     A marital relation of the Poulsens in whose studio he worked for a while. Operated his own studio for a time but further details not yet known.
James W. Fegan   1906 Fegan, previously from Port Pirie in South Australia opened a studio in Brisbane in 1897 and later opened a branch in Gympie that was managed by Fred Murray (see below)
mounted photos
Fred Murray
(Murray Studios)
Mary St 1906-1945 Murray initially worked for Poul Poulsen in Brisbane, then Fegan in his Brisbane studio, then managed Fegan's branch studio in Gympie. Murray set up for himself in 1906 as a studio photographer and postcard publisher, mainly of the real photo type. He opened a branch studio in Queen St, Brisbane around 1917 that operated in opposition to Fegan. In 1945 the business was taken over by Murray's nephews Tom and Sam and expanded into the production of postcard folders and other printed souvenir material and it continues to operate as Murray's Views, but the studio photography side of the business has long since been sold from the family and still continues to trade.
postcard photos and various mounted types
A. Bell
(Bell Studios)
  1913-1915 postcard photos
Jack Monks     postcard photos
Nelson   1916-1919 postcard photos
EARLY POST CARD PUBLISHERS
PUBLISHER/SERIES DATES PRODUCED NOTES
Coloured Shell Series 1905-1914 Series of Queensland views, publishers details unknown.
Intelligence and Tourism Bureau, Brisbane c.1905-1915 Titles:
A View of Gympie From Court House Tower
James W. Fegan 1906 Printed B&W views of Gympie
Fred Murray
(Murray Studios, Murray Views)
1906-1945 Produced many real photo postcards of Gympie as well of all other parts of Queensland and NSW as well as postcards of  local business people, theatrical groups,  sports teams and sportsmen.
Notes:

Some of the year ranges stated may not be complete as the information is limited to what has appeared in trade directories and newspapers and what was written on photos. Trade directory entries took some months to appear in print, and businesses opening after publication date did not appear until the next issue. The above list should be reasonably complete for photographers who established studios in Maryborough but may be deficient in coverage of travelling/itinerant  photographers who visited the region as they often left little record of their activities although sometimes they did announce their arrival in a local newspaper.
 

** I am particularly interested in making contact with the descendants and relations of photographers**

Sources:

Private research by site author through contacting the descendants of  photographers. Most of the photographs studied and used on this site are from my private collection.
various Queensland Post Office Directories
Pugh's Almanac
Moreton Bay Courier
Gympie Times
Alan Davies and Peter Stanbury, "The Mechanical Eye in Australia", OUP, Sydney, 1988.
Sandy Barrie, "Professional Photographers in Queensland 1849-1920" and "Queenslanders Behind The Camera", Brisbane, 1988.
Sandy Barrie, "Australians Behind the Camera, Directory of Early Australian Photographers 1841-1945", Sandie Barrie, Booval, Queensland, 2002.

Thankyou to Sandy Barrie, Harry & Ken Poulsen, Nancy Edwards, Liz Smith, Jack Mathewson, Glen Durietz, Robert J. Noye, Gympie Library, Murray Views
Anyone with further information about the above photographers or with names of and information about other photographers not listed is welcome to contact me.  Due to the large number of such requests I am no longer able to date your photos personally. If you are seeking historical photos of Gympie I would suggest the organisations listed below or the John Oxley Library in Brisbane as my collection consists mainly of family portraiture.

GUIDE TO PHOTOGRAPH TYPES
Daguerreotype Invented by Louis Daguerre in 1837 and introduced to the world in 1839 developed in parallel with the calotype, the other tying first form of photograph. The daguerreotype was produced on highly buffed silver coated on to a brass plate and cannot be easily viewed unless turned at the right angle. The image was mounted under a brass mat and glass and placed in a leather bound folding case (imported from the USA, France or England) or sometimes framed. Ninth, sixth, quarter and half plate sizes were the most popular - the former two being those most commonly found.
Ambrotype Underexposed and sometimes bleached photographic negative on glass backed by black paper, dark velvet or black paint directly on the plate to make the negative appear positive.  This was then mounted in a brass frame and placed in a papier-mâché or leather bound folding case or sometimes framed. Ninth, sixth and quarter plate sizes were all popular - half and full plate images are sometimes seen.
Carte de Visite Paper photograph from glass plate negative mounted on card board mount 2 1/2" x 4" - popular from 1861-c.1895
Cabinet Photo Paper photograph from glass plate negative mounted on card board mount 4 1/4" x 6 1/2" - popular from mid 1870s-c.1905
Tintype Small postage stamp sized photograph on metallic tin usually mounted in carte de visite sized cardboard frame (gem tintype) or unmounted carte de visite sized photo on tin (2½" x 3½"plate) - popular 1879-1885
Opalotype Photograph on white opaque "milk" or "opal" glass.  Commonly 12" x 14" and framed.
Postcard Photo Photograph on paper with printed post card back, so that it could be mailed if desired taking advantage of the penny post.  This paper was used by professionals (where it was mainly used for studio portraiture or for views specifically for the postcard market) and by amateurs alike.  Size 5" x 3 1/2"

Gympie and district historical organisations/libraries/museums and internet links:
Gympie Historical & Mining Museum
215 Brisbane Rd
GYMPIE QLD
The Museum houses a vast collection of documentation, artefacts and photographs from the discovery of gold in 1867 by James Nash.
Gympie Library
8-14 Mellor St
GYMPIE QLD
Phone: (07) 5481 0859
Fax: (07) 5482 1205
Email: library@cooloola.qld.gov.au
The Gympie Library is the central branch, responsible for the purchasing, processing of collections, and coordination of services for all of the Cooloola Shire Libraries. The local history collection includes:
  • The Gympie Times on microfilm from 1868
  • Local District and school histories
  • Genealogical research materials
  • Copies of over 6000 historical photographs
  • Gold mining historical information
  • Material on local indigenous history

I am always after photographs and albums for my reference collection and I will purchase any old photographs, postcards and albums (not just from Queensland but anywhere in Australia) and also early wood and brass camera equipment.

Return to the Photographers of Southern Queensland Main Page

© Marcel Safier 2001-2006.
Photographic historian and collector,
P.O. Box 539, Annerley QLD 4103, Australia; Ph: 07-3847 1593; E-mail: msafier@ozemail.com.au