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CONTENTS 1 VIBRATIONS What am I? Electromagnetic
fields The
human body is only vibrations of energy 2 COSMOGONY The first vibrations of the
Web of Creation In the
Beginning was the Word And the Word
was with God, and the Word was God
Sound,
vibration and form Hans Jenny and Cymatics Lissajous figures Lissajous
figures and the toroid 3 THE ANCIENT SOLFEGGIO FREQUENCIES The
Solfeggio Scale The biological value of Solfeggio series of notes The
Solfeggio Tuning Forks Animate and inanimate matter responds to
sound The
body is a vortex of energy Vibrations of the Music of the Spheres Crop
circles ‘Just
Intonation’: the Twelve-Tone equal temperament How different
types of tones affect health 4 CROP-CIRCLE SECRETS Background
to crop-circles Incidence
of crop-circles Forming a crop-circle Types
of crop-circle formations 1. Formations transmitting energy 2. Formations conveying information 3. Formations created by human wish 4.
The Plasma Vortex theory of formation 5.
Crop-circles
from deep space? 6.
Formations
made as hoaxes The
impact of crop circles Crop-circles
at Chilbolton Vibration, frequency and form Resonance The crop-circle effect upon
humans Ancient sacred sites Sacred geometry exhibited
in some formations Light phenomena An elemental life energy Significance of crop-circles What is known about crop formations? Even
hoax crop formations have value A theory of energy A unique time in history 5 RESONANCE The principle of resonance Sound
creates Sound wave energy frequencies Healing with resonance
Resonance and homoeopathy Bicom therapeutic resonance Create a symphony 6 COLOUR FREQUENCIES Colour principles
and mixing of colours What is colour? How is colour
measured? The attributes of colour Saturation Value Primary
colours The
Colour Compass The
Colour Tree Goethe’s Colour/Emotions system Electronic colour Pigment-based colour Subtractive colour effects Additive colour effects Kandinsky and Steiner on pure colour Kandinsky’s theory of synaesthesia The qualities of colours Colour vibrations therapy The Biotron Light and optical tracks 7 FALSE FREQUENCIES Is there a ‘Life Essence’ that can be ‘captured’? Kirlian photography Purported
left and right brain differentiation with Kirlian
photography Aura
Photography 8 THE NEED FOR NATURE’S FREQUENCIES OF
VIBRATION Nature’s symphony of frequencies Vibrations
connecting humans to nature Plants
respond to human vibrations and have feelings Plants
respond to music vibrations Plants
that move Plants, vibrational energy and human health What are Flower Essences? Biophilia, the
need for nature’s frequencies of vibration Ecotic
Needs and Mother Earth 9 Esoteric
research on crystals Minerals,
crystals and their vibrations Polishing
minerals and crystals How
do Crystals and Minerals Work The
structure of feelings 10 WATER The presence of water Water
in the Universe Water
and the habitable zone Water
in religion, philosophy and literature Water,
the hidden dimensions The
symbolic meaning of water Water,
memory and Jacques Beunaviste Scientifically,
does water have memory? Dr Masaru Emoto and the memory of water Flowforms Purifying
water vibrations in towns and cities Water
memory and energetic water quality Compliance
with indigenous Energetic
water processing The
Flowform process 11 HEALING WITH SOUND: NADA YOGA Nada Yoga The
value of cello music Why
use the voice? The Nada Yoga Group-Meditation Process The Meditation Preparatory thought to precede meditation Awakening the senses Listening to heal 12 THE SOUNDS OF SILENCE Brainwave frequencies of vibration Alpha,
Beta, Delta and Theta states of consciousness The Sounds of Silence Hypnotherapy Learning The
process of using Alpha consciousness References Appendix
A Table A.1 Frequencies and correspondences
between frequencies and mental states, physiological conditions, colours and music
notes Table A.2 Frequencies for the equal Tempered Sol-Fa Scale LIST OF
FIGURES 1.1
A sinusoidal electromagnetic wave 1.2
The electromagnetic scale of frequencies 2.1 Five symbolic stages in
the creation of the universe 2.2 The Anu
or basic particle of prana in the physical world 2.3 Cymatics studies the
relationship of various sound frequencies to patterns 2.4 Application of cymatics to
coffee in a cup 2.5 The
Chladni figures 2.6 Chladni patterns in liquid 2.7 Lissajous figures are the result of
two sine curves meeting at right angles 2.8 The web created by a Lissajous figure 2.9 Lissajous figures in a two-dimensional space presentation 2.10 Toroid results
from Lissajous figures in n-dimensional space
presentation 2.11 Another
example of the torus mathematical form 3.1
Standard Chakra Tuning Forks 3.2
Six Solfeggio Forks 3.3
Frozen distilled water crystallography exposure to J. S.
Bach’s Goldberg Variations 3.4
Before and after a prayer of gratitude and healing was
spoken 4.1
A wheat stem from an
authentic crop-circle at Mayville, 4.2
a. The original signal sent from the Areciba radio telescope; b. The 4.3
Chilbolten field crop-circles; a. the image of a face in a crop
formation; b. the design that
appeared in a Chilbolten field; c. two crop formations alongside the Chilbolten radio telescope 4.4
A crop-circle that provides information in proximity to the Sacred Site of Stonehenge 4.5 A
hoax 4.6 The
result of people’s wishes, thoughts or a hoax 4.7 Crop circle, 4.8 Examples
of crop-circles made by hoaxers. Eastfield and 4.9 A
fractal pattern developing a set based on the spiral form 4.10 Crop-circles
in 4.11 4.12 Crop-circle
close-up, 4.13 Crop-circle,
4.14 Crop-circle
in pattern of the Tree of Life, 4.15 Crop-circle,
the largest so far, Milk Hill, Wansdyke, 4.16 Crop-circle in wheat at Stonehenge, 4.17 Sacred Geometrical spirals at the
ancient sacred site of 4.18 White quartz crystal used for the
exterior wall of Newgrange 4.19 The Newgrange
ancient sacred site in 4.20 Avebury village within the Avebury
5.1 The Bicom device used to remove discordant
frequencies 6.1 The Henry Albert Munsell Colour System 6.2 The Munsell Colour Tree 6.3 The Goethe Colour Triangle 6.4 Goethe’s emotional content
of various colour associations 6.5 The Subtractive Colours
Effects 6.6
The Additive Colours Effects 6.7 Cercle Jaune by Wassily
Kandinsky 6.8 General principle of colour sequence and terms used in colour therapy 6.9 Dr Dan Roehm’s Biotron used by the author in light and colour
therapy research 7.1 Illustration of an
experiment (with a cut leaf) using Kirlian
photography 7.2 Kirlian image of a hand 7.3 A claimed computer-generated Kirlian photograph of an
energy discharge field 7.4 An
‘aura photograph’ of the head and shoulders of a subject 7.5 Another ‘aura photograph’ of a
subject, using Polaroid computer-aided imagery 8.1 A stand of ‘Venus Flytrap’ (Dionaea
muscipula) plants 10.1 The Earth is positioned in the Solar System’s habitable
zone 10.2 The
Earth’s Water Cycle 10.3 Flowforms in a
landscaping project 10.4 Graphical illustration of the Bioharmonic Resonance-Scanning method 10.5 A flowform design in a garden in 10.6 Model of a
water cluster and its dissipation/splitting by energy of vortex motion 10.7 The Flowform pattern of water flow 12.1
Electroencephalogram
traces of brainwaves 12.2
The major parts of the
human brain LIST OF
TABLES 1.1 Electromagnetic frequencies with various
categories for each band of wavelengths 3.1 Solfeggio frequencies musical scale and
correspondences 3.2 Frequency and location
of each Chakra with its associated organ of the body 3.3 Gradations in energy
frequencies from Highest (Spiritual) to Lowest (Physical) 3.4 Portion of the
Frequency Table showing the Six-Note Solfeggio
Music Frequencies Scale in relation to Visible Light Frequencies and the modern
music scale 9.1
The various chakras showing three levels of energy and
colour/crystal treatment Comparative frequencies of human brainwaves
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Our
separation from each other is an optical illusion of consciousness. (Albert Einstein, in
Schwartz & Russek, 1999) VIBRATION
What am I? What are
vibrations? They are ‘oscillations’, the dictionary says so. What are
oscillations? A ‘swinging to and fro’, the dictionary further states. This
was an unhelpful start. Because I will have to go into more detail than this
for a clear view of the full implications of the title of this book, I will
start with a well-known vibration, that of a harp or piano string when it is
plucked. As
soon as the fingers pluck a string (that must be made of an elastic
material), it begins to ripple in a sinusoidal curve and creates a sound.
That sound is the string rhythmically whipping the air and displacing it in
waves like those pushed ahead of the prow of a boat moving through water.
Water waves can be heard as molecules hit against molecules. Similarly, waves
of air are flung off the harp or piano string. Rhythmically, the air
molecules leaving the string arrive at the listener’s ear in a series of
waves, setting up sympathetic vibrations or oscillations in the small hairs
of the ear’s auditory canal. These sensory receptors convey auditory
information to the brain. The timing between wave
crests (their wavelength) and their amplitude (E) (Figure
1.1) defines the level of sound that was formed. Electromagnetic
fields. Electromagnetic fields consist of
electric (E) and magnetic (M) waves travelling together, as shown in
the diagram below. They travel at the speed of light and are characterised by frequency and a wavelength. While the
frequency is simply the number of oscillations in the wave per unit time
measured in units of Hertz (1 Hz = 1 cycle per second), the wavelength is the
distance travelled by the wave in one oscillation (or cycle).
 Figure 1.1: A sinusoidal electromagnetic wave. The
direction of the magnetic field is at 90º to that of the electric field. The amplitude of
each wave is shown as (M) for Magnetic and (E) for the Electric field wave respectively (electromagnetic
waves are explained later. (Courtesy: geo.mtu.edu) ELF
fields such as our brain waves are defined as having frequencies up to 300
Hz. At such low frequencies, the wavelengths in air are very long (6000 km or
3728 miles, at 50 Hz, and 5000 km or 3107 miles at 60 Hz); in practical
situations, the electric and magnetic fields act independently of one another
and are measured separately. As
with water and air, so waves of light leave a source (of light or heat) and
arrive at the sensory receptor (such as the eye or skin). They arrive in a
series of trough and crest waves, the size of which defines the colour of the
light, or the temperature of the heat source. These
principles also apply to electricity and magnetism. Together these phenomena
belong to specific bands of wavelengths/frequencies in the long scale of
electromagnetic effects (Figures 1.1, 1.2). Both these Figures show the
electromagnetic spectrum from the extremely long wavelengths at the Extremely
Low Frequency (ELF) left-hand of the scale in Figure 1.2 to cosmic gamma
radiation at the opposite end of the scale. One
phenomenon links all the varied phenomena that supplies
our sensory inputs as human beings, i.e., the wave. Also, a wave carries all
the information needed to tell whether a sound originates from a whale or a
cicada. It has amplitude (A) and wavelength (
Figure 1.2: The electromagnetic scale of frequencies. (Courtesy.
howstuffworks.com) The Human Body
is Only Vibrations of Energy. While still quite young, I thought: if I
am not just a body, what am I? Who was the ‘inner critic’ who questioned and
judged my everyday thoughts, feelings and actions? This disconcerting question
continued throughout high school. Then a comment by Albert Einsten (in Harman, 1982) suggested an answer. He stated: ‘Concerning matter, we have been all
wrong. What we have called matter is energy, whose vibration has been so
lowered as to be perceptible to the senses. There is no matter’. Hence, there
was no solid ‘me’. It seemed that the frequency
of vibration was the basis for the various ‘bodies’ that a person occupies
and inhabits, i.e., the physical, emotional, mental and so on. From this a
new paradigm emerges. The popular term, ‘the Divine is within me’ (or ‘God is
within me’) makes ‘me’ separate from the Divine. This could be better
expressed as: ‘the Divine is me’. This would
remove any possibility of separation between the multiple bodies a person
possesses, and
provides a sound and fulfilling principle upon which to
proceed. As I sit and write, I can feel the chair
pressing up to support me and fingers pressing down on the computer keys
while they push back on my fingertips with an equal and opposite pressure. My
very solid body seems to be surrounded by an environment of solid substances.
But physics tells my mind that I am not
this solid body, I am only a whirling vortex
of electrons and protons, simply an energy field and my solidity is just an
illusion (or maya
as the Hindu would say). Also,
I am not the emotions I sometimes wish I did not feel. Further, I am not the
thoughts I sometimes want to disown. If I am not a solid body and these are
not my feelings or thoughts (that the ‘I’ criticises), who am I? The answer
to that disturbing question is that we are nothing but an
interweaving of vortices of vibrational physical,
emotional and mental energy. Similarly, the whole world that surrounds us and
extends for hundreds of thousands of kilometres in all directions,
is an illusion. All is energy, there is nothing we
can call ‘solid’. The effect is similar to a bicycle wheel spinning at full
speed. The moving spokes create an illusion that they are solid, just as the
computer keyboard seems to be solid.
Table 1.1 Electromagnetic Frequencies with the various categories of
use for each band of wavelengths (showing metric units of measure and the
various symbols used in each band) (Also see Appendix A for
detailed music Table A.1.)
UHF = Ultra High Frequency; EHF = Extremely HF; VHF=
Very HF But it too is a
seething mass of high-speed electrons and protons just as the spinning wheel
appears as a ‘solid’ blur of spokes. The
inverse relationship between frequency and wavelength of electromagnetic
energy on the scale in Figure 1.2 clearly shows how the frequency decreases
as the wavelength increases. Our brainwaves belong to Band 1, and the
electromagnetic energy with which our eyes interact when we see colour, is in
Band 15. The electromagnetic spectrum graphically depicts the range of types
of electromagnetic radiation from the weakest to the strongest rays. As
described by James Clerk Maxwell
(1831-1879), electromagnetic waves are an electric field oscillating in one
dimension, a magnetic field oscillating perpendicular to this, and then an
electromagnetic wave travelling in the direction perpendicular to the other
two at the velocity of light. (A
detailed set-out of these data may be seen in Appendix A, Table A.1.)
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, ‘
m
), 
Gamma radiation
