(Copyright (c) 1999 C.J. Lofting)
Reflecting on what has been said so far, we are dealing with archetypal forces , 'pure' forms (tai chi) with which, once determined, can be aspectually analysed (yin/yang) and the resulting form can become 'tai chi' in their own right and so themselves can be aspectully analysed. This is 'holographic' in that the 'one', the Tai Chi, acts as a reference beam, and the many, yin/yang, the interference patterns.
This allows us to use the SAME patterns at all levels of analysis and this is demonstratable using the goal set to determine a story line. The goal set acts as the reference beam and when combined with the interference beam give us the set of elements within the goal set. In the archetypal format of the compass so we see a hexagram sequence that captures the archetypal plot (note that I have skewed this. The circle form puts the dividend to the left of the goal but I wish to assert the goal first and so follow with the dividend to emphasise the relationship):
This archetype plot(role) serves as the seed for all others. I have listed these below in the above order (if we swap the first two so the list can be overlaid onto the compass with the second position as 'north'. The other choice is to put the sidekick last manifesting opposition, the asexual format. The sexual format forms the circle and so brings the once opposite around to being the sidekick emphasising cooperation where the 5-6 positions now reflect opposition but also the source of motivation/instigation):
01 02 58 30 51 57 29 52 (the archetype plot)
43 01 38 55 42 48 04 15(variations on the theme)
14 43 54 37 03 18 07 12
34 14 61 63 27 46 33 45
09 34 60 22 24 06 31 35
05 09 41 36 44 47 56 16
26 05 19 25 28 64 62 20
11 26 13 17 50 40 53 08
10 11 49 21 32 59 39 23
58 10 30 51 57 29 52 02 interesting sequence, a shift of the
archetype with a replacement of 01 with 10.
38 58 55 42 48 04 15 01
54 38 37 03 18 07 12 43
61 54 63 27 46 33 45 14
60 61 22 24 06 31 35 34
41 60 36 44 47 56 16 09
19 41 25 28 64 62 20 05
13 19 17 50 40 53 08 26
49 13 21 32 59 39 23 11
30 49 51 57 29 52 02 10 further degradation of the archetype, a
further shift and a replacement of 58 with 49
55 30 42 48 04 15 01 58
37 55 03 18 07 12 43 38
63 37 27 46 33 45 14 54
22 63 24 06 31 35 34 61
36 22 44 47 56 16 09 60
25 36 28 64 62 20 05 41
17 25 50 40 53 08 26 19
21 17 32 59 39 23 11 13
51 21 57 29 52 02 10 49
42 51 48 04 15 01 58 30
03 42 18 07 12 43 38 55
27 03 46 33 45 14 54 37
24 27 06 31 35 34 61 63
44 24 47 56 16 09 60 22
28 44 64 62 20 05 41 36
50 28 40 53 08 26 19 25
32 50 59 39 23 11 13 17
57 32 29 52 02 10 49 21
48 57 04 15 01 58 30 51
18 48 07 12 43 38 55 42
46 18 33 45 14 54 37 03
06 46 31 35 34 61 63 27
47 06 56 16 09 60 22 24
64 47 62 20 05 41 36 44
40 64 53 08 26 19 25 28
59 40 39 23 11 13 17 50
29 59 52 02 10 49 21 32
04 29 15 01 58 30 51 57
07 04 12 43 38 55 42 48
33 07 45 14 54 37 03 18
31 33 35 34 61 63 27 46
56 31 16 09 60 22 24 06
62 56 20 05 41 36 44 47
53 62 08 26 19 25 28 64
39 53 23 11 13 17 50 40
52 39 02 10 49 21 32 59
15 52 01 58 30 51 57 29
12 15 43 38 55 42 48 04
45 12 14 54 37 03 18 07
35 45 34 61 63 27 46 33
16 35 09 60 22 24 06 31
20 16 05 41 36 44 47 56
08 20 26 19 25 28 64 62
23 08 11 13 17 50 40 53
02 23 10 49 21 32 59 39