31 / 14 Influence (wooing)
Restrained joining
(58->31->52->41)
"HSIEN : come into contact with, influence; reach, join together; put together; put together as parts of a previously seperated whole; come into conjunction, as the celestial bodies; totally, completely; lit: broken pieces of pottery, the halfs of which join to identify partners." ERANOS p362
"[With self restraint comes intensity]
Above mountain there is marsh. Influence (Come into contact with).
One uses emptiness to make peace with people."
In hexagram 31, The seeking of satisfaction has become concentrated in that one has found what one wants or fits with. By initially putting oneself in a giving position one can thus stimulate the other. The line text is partially a step by step description of one rising to speak. The emphasis is on the intent and purpose of the act, putting it all together to make a whole. Contextually, we develop from a loose associating (13) through a stronger degree of loyalty but at a distance (56) to a refined, but restrained, degree of joining.
(All four hexagrams (58,31,52,41) deal with attaining satisfaction as implied by their base trigrams associated with submission/self-restraint. There is thus an overall bias to concentration in a literal and metaphoric senses; concentration allowed 'outwards' comes across as intenseness)
The raw context from which the situation derives is described by hexagram 13 grouping/associating. It passes through hexagram 56 restrained journeying before reaching here.
By introducing this hexagram as context, you can change a state described by any other hexagram into a state described by hexagram 33. To make a state associated with another hexagram transform into this state, introduce hexagram 33 as context.
It is important to remember that, when using transformative methods, the more lines requiring change, the more energy required when attempting to introduce a different context. It may therefore be of benefit to work on existing changing lines and achieve your goal in steps rather than attempt, for example, a six-line change all at once.