The Track By Track Low-Down

Okay. I know. The right and honourable way to do this is to "let the songs speak for themselves." But, fuck that. Here are a few of my thoughts about the Tracks on this album. The Dates refer to when the song was written.

1. Up The Duff - (1996)
I love this song to death. For those who know what I am talking about here, this is very much a Zappa meets Steve Vai somewhere around the Flex-Able period type song. The concept was conceived after a friend of mine referred to the fact that all her girlfriend's were falling pregnant at the same time, thus they were all envisioned as gleefully shouting "whooo hoo, Up The Duff."


2. Grinning Fool - (1997)
This one came together incredibly quickly. I felt that the songs I had for this album were all very....nice. I am intrigued by the notion of using the word "fuck" in popular music. Usually, "fuck" is a shock value term, but over the years, the more groups use it in popular music, the less impact it has. (Oh, yeah, most of the song is about those bastard religious types who attempt to convert you at your own front door...)


3. Faces Staring Back At Me - (1997)
I was going to save this for my next release when I had some better equipment on hand to record it, but this version came out okay, so here it is on this release. The song has someone freaking out about the modern invasion of privacy.


4. Never Met An Angel - (1994)
If you are starting to think that religion is a bit of a theme with me...you are right! This is a pretty straight ahead heavy type tune...standard steamroller riffing and what have you, but I like the rawness of it. I am proud of the bass solo as well...it is nothing technically amazing, but it grooves! What this one is simply saying is that, even if Angels do exist, wouldn't their sheer perfection be so utterly, utterly boring?


5. Empty Room - (1995)
This is a troublesome song. Not only because the drum tracks lag so much; not only because there is a cymbal crash that is so late that it's already 4 months pregnant, but because.....well, I really don't know, to tell the truth. So, why include it if it troubles me so? Because, for some strange reason, I still like it. Go figure.


6. Tragic Lumber - (1996)
This used to be much longer...I have cut it in half for this release, and it sounds SOOO much better. I like this song. It is imperfect, time and beat wise, but it never falls off the fence totally. (Well, not to my ears!) Picture a sleazy nightclub, with a greasy ol' bugger making his way over to a young thing to put the make on her.


7. The Pancho Gonzales Song - (1994)
One typical stinkin hot day, some friends and I decide to take some light relief and have a bash on a tennis court. One of the rackets that I was forced to endure was one of those old wooden buggers, and it had this young, strong, beaming face emblazoned onto the wood, with the signature "World Champion Pancho Gonzales."


8. Coffee Blues - (1992)
White boy suburban blues...ahhh, grab a whole bunch of cliches about Coffee, mix it all up with the most standard blues riff you can get, and voila! You got a....pretty stupid song. But, that's okay, because, stupidity is a valid artistic medium, if you go by what gets played on the radio! By the way, I luurrrvveee the slide solo in this song.


9. Time After Time - (1990)
This was just about the first thing that I ever recorded on the 4-Track when I got it. I was working out how to use it, I did not want a terribly difficult song, so I pretty much made this up on the spot using lyrics I had written a while before. Well, the lyrics are drivel, but the vibe on this is nice. My brother loves this song, so go figure.


10. Gypsy In Heat - (1996)
My first creation with a synthesiser and a sequencer in my hot little hands. Interesting that it turned out to have a flute as the dominant melody and a really weird string patch as its thrust. A friend has described it as "The Miami Vice theme on crack." I think that is a reference to the bongo drum fills.


11. My Baby - (1990)
Jealousy. Aaaahh, the green eyed monster. Yep, familiar theme, and this was my take on it. Once again, perhaps the pure emotion of this theme is lost to the "God I love to be stupid" rule. I love listening to me attempt to yell the shit out of the "She Don'ts" in the Chorus. Gosh, who said I couldn't sing? Of course, the best feature of this song is the munchkin fade out. It is a definite head turner.


12. Anthem For A Nobody - (1992)
I cannot play the piano. That is the first thing you will notice about this song! These chords and fills were the first thing I ever composed on a piano. It is a pretty simple piece, but it is also one that I can never seem to get out of my head. These same chords and fills flow out of my fingers every time I sit at a keyboard.

Overall, I am fairly pleased with the results I have got on this album. The performances could be better, but that comes from the fact that I am not a Bass Player, Keyboard player, or singer. (And not a great guitarist either!) And for the wacky, off-beat, nothing to do with what is happening in the music world right now type songs that I write, this is a fairly good representation. I admit, I look forward to the day when I will have better recording equipment, and more patience to get the performances right. Till that happens, this is what I have got. And I guess I am pretty happy with that.

Ian Robertson
Odysseus' Dog

Recordings are © 1998 Agnes Records, All Rights Reserved.
Songs are © 1998 Ian Robertson, All Rights Reserved.

 Demented Ravings Of A Middle-Class White Boy


 


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